{"id":6,"date":"2021-01-13T16:29:55","date_gmt":"2021-01-13T16:29:55","guid":{"rendered":"https:\/\/smartmag.theme-sphere.com\/city-today\/"},"modified":"2024-12-12T06:26:04","modified_gmt":"2024-12-12T06:26:04","slug":"homepage","status":"publish","type":"page","link":"https:\/\/artoday.net\/","title":{"rendered":"Homepage"},"content":{"rendered":"\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
\n\n\t\t\t\t\n\t\t\t
\n\t\t\t\t\t\n
\n\n\t
\n\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t
\n\n\t\t\t\t\t\n
\n\n\t\n\t\t\t
\n\n\t\t\n\t\t\t\"\"<\/a>\t\t\t\n\t\t\t\n\t\t\t\n\t\t\t\n\t\t\n\t\t<\/div>\n\t\n\n\t\t\t
\n\t\n\t\t
\n\n\t\t\t
\n\t\t\t\t\t\t\n\t\t\t\t\t\tArt News<\/a>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/div>

The World’s Most Valuable Art Collections<\/a><\/h2>
IrisIris<\/a><\/span>
\n\t\t\t\t
\n\t\t\t\t\t
\n\n\t\t\t\t\n\t\t\t
\n\t\t\t\t\t\n\t
\n\n\t\t\t\t\t\n
\n\n\t\n\t\t\t
\n\n\t\t\n\t\t\t\"\"<\/a>\t\t\t\n\t\t\t\n\t\t\t\n\t\t\t\n\t\t\n\t\t<\/div>\n\t\n\n\t\n\t\t
\n\n\t\t\t
\n\t\t\t\t\t\t\n\t\t\t\t\t\tArtist<\/a>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/div>

Kirandeep Grewal: Exploring Identity, Resilience, and Belonging Through Art<\/a><\/h2><\/div>\t\t\t\n\t\t\t\n\t\t\t\n\t\t<\/div>\n\n\t\n<\/article>\t\t\t\t\t\n
\n\n\t\n\t\t\t
\n\n\t\t\n\t\t\t\"\"<\/a>\t\t\t\n\t\t\t\n\t\t\t\n\t\t\t\n\t\t\n\t\t<\/div>\n\t\n\n\t\n\t\t
\n\n\t\t\t
\n\t\t\t\t\t\t\n\t\t\t\t\t\tArtist<\/a>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/div>

Camille Ross: Ancestral Journeys Through Memory and Dreams<\/a><\/h2><\/div>\t\t\t\n\t\t\t\n\t\t\t\n\t\t<\/div>\n\n\t\n<\/article>\t\t\t\t\t\n
\n\n\t\n\t\t\t
\n\n\t\t\n\t\t\t\"\"<\/a>\t\t\t\n\t\t\t\n\t\t\t\n\t\t\t\n\t\t\n\t\t<\/div>\n\t\n\n\t\n\t\t
\n\n\t\t\t
\n\t\t\t\t\t\t\n\t\t\t\t\t\tArtist<\/a>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/div>

Sonja Kalb: The Living Pulse of Nature in\u00a0Rainforest<\/a><\/h2><\/div>\t\t\t\n\t\t\t\n\t\t\t\n\t\t<\/div>\n\n\t\n<\/article>\t\t\n\t<\/div>\n\n\t\t\n\t\t\t<\/div>\n\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
\n\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t
\n\n\t\t\t\t\t

People's Favorite<\/a><\/h4>\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\n\t
\n\n\t\t\t\t\n\t\t\t\n
\n\n\t\n\t\t\t
\n\n\t\t\n\t\t\t\"\"<\/a>\t\t\t\n\t\t\t\n\t\t\t\n\t\t\t\n\t\t\n\t\t<\/div>\n\t\n\n\t\n\t\t
\n\n\t\t\t
\n\t\t\t\t\t\t\n\t\t\t\t\t\tarchtecture<\/a>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/div>

Frank Lloyd Wright: Masterpieces That Changed Architecture<\/a><\/h2>
By<\/span> Iris<\/a><\/span><\/i>1 Min Read<\/span><\/div><\/div>\t\t\t\n\t\t\t\n\t\t\t\n\t\t<\/div>\n\n\t\n<\/article>\n\t\t\t\t\n\t\t\t\n
\n\n\t\n\t\t\t
\n\n\t\t\n\t\t\t\"\"<\/a>\t\t\t\n\t\t\t\n\t\t\t\n\t\t\t\n\t\t\n\t\t<\/div>\n\t\n\n\t\n\t\t
\n\n\t\t\t
\n\t\t\t\t\t\t\n\t\t\t\t\t\tArtist<\/a>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/div>

Nan Goldin Speaks Out on Censorship of Berlin Show<\/a><\/h2>
By<\/span> Iris<\/a><\/span><\/i>17 Mins Read<\/span><\/div><\/div>\t\t\t\n\t\t\t\n\t\t\t\n\t\t<\/div>\n\n\t\n<\/article>\n\t\t\t\t\n\t\t\t\n
\n\n\t\n\t\t\t
\n\n\t\t\n\t\t\t\"\"<\/a>\t\t\t\n\t\t\t\n\t\t\t\n\t\t\t\n\t\t\n\t\t<\/div>\n\t\n\n\t\n\t\t
\n\n\t\t\t
\n\t\t\t\t\t\t\n\t\t\t\t\t\tArtist<\/a>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/div>

Nikki Giovanni, the ‘Princess of Black Poetry’, dies at 81<\/a><\/h2>
By<\/span> Iris<\/a><\/span><\/i>4 Mins Read<\/span><\/div><\/div>\t\t\t\n\t\t\t\n\t\t\t\n\t\t<\/div>\n\n\t\n<\/article>\n\t\t\t\t\n\t\t\t\n
\n\n\t\n\t\t\t
\n\n\t\t\n\t\t\t\"\"<\/a>\t\t\t\n\t\t\t\n\t\t\t\n\t\t\t\n\t\t\n\t\t<\/div>\n\t\n\n\t\n\t\t
\n\n\t\t\t
\n\t\t\t\t\t\t\n\t\t\t\t\t\tArtist<\/a>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/div>

Sotheby’s to auction original artwork by Maurice Sendak<\/a><\/h2>
By<\/span> Iris<\/a><\/span><\/i>3 Mins Read<\/span><\/div><\/div>\t\t\t\n\t\t\t\n\t\t\t\n\t\t<\/div>\n\n\t\n<\/article>\n\t\t\n\t<\/div>\n\n\t\t\t\t\t<\/div>\n\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t
\n\n\t\t\t\t\t

Art News<\/h4>\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
\n\n\t\t\t\t\n\t\t\t
\n\t\t\t\t\t\n\t
\n\n\t\t\t\t\t\n
\n\n\t\n\t\t\t
\n\n\t\t\n\t\t\t\"\"<\/a>\t\t\t\n\t\t\t\n\t\t\t\n\t\t\t\n\t\t\n\t\t<\/div>\n\t\n\n\t\n\t\t
\n\n\t\t\t
\n\t\t\t\t\t\t\n\t\t\t\t\t\tArt News<\/a>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/div>

The World’s Most Valuable Art Collections<\/a><\/h2><\/div>\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t
\n\t\t\t\t\t

The most expensive private art collections in the world belong to a mix of royal families, wealthy investors, and…<\/p>\n\t\t\t\t<\/div>\n\t\t\t\n\t\t\t\n\t\t\t\n\t\t<\/div>\n\n\t\n<\/article>\t\t\n\t<\/div>\n\n\t\t\n\t\t\t<\/div>\n\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
\n\n\t\t\t\t\n\t\t\t
\n\t\t\t\t\t\n\t
\n\n\t\t\t\t\n\t\t\t\n
\n\n\t\n\t\t\t
\n\n\t\t\n\t\t\t\"\"<\/a>\t\t\t\n\t\t\t\n\t\t\t\n\t\t\t\n\t\t\n\t\t<\/div>\n\t\n\n\t\n\t\t
\n\n\t\t\t

The sun eats the banana Cattleya bought for $6.2 million at Sotheby’s<\/a><\/h2>
By<\/span> Iris<\/a><\/span><\/div><\/div>\t\t\t\n\t\t\t\n\t\t\t\n\t\t<\/div>\n\n\t\n<\/article>\n\t\t\t\t\n\t\t\t\n
\n\n\t\n\t\t\t
\n\n\t\t\n\t\t\t\"\"<\/a>\t\t\t\n\t\t\t\n\t\t\t\n\t\t\t\n\t\t\n\t\t<\/div>\n\t\n\n\t\n\t\t
\n\n\t\t\t

ArtReview’s 2024 Power 100 list reveals the growing influence of the Middle Eastern art scene.<\/a><\/h2>
By<\/span> Iris<\/a><\/span><\/div><\/div>\t\t\t\n\t\t\t\n\t\t\t\n\t\t<\/div>\n\n\t\n<\/article>\n\t\t\t\t\n\t\t\t\n
\n\n\t\n\t\t\t
\n\n\t\t\n\t\t\t\"\"<\/a>\t\t\t\n\t\t\t\n\t\t\t\n\t\t\t\n\t\t\n\t\t<\/div>\n\t\n\n\t\n\t\t
\n\n\t\t\t

The 10 Best Booths at Art Basel Miami Beach 2024<\/a><\/h2>
By<\/span> Iris<\/a><\/span><\/div><\/div>\t\t\t\n\t\t\t\n\t\t\t\n\t\t<\/div>\n\n\t\n<\/article>\n\t\t\n\t<\/div>\n\n\t\t\t\t\t<\/div>\n\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
\n\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t
\n\n\t\t\t\t\t

Art Market Trends<\/a><\/h4>\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\n\t
\n\n\t\t\t\t\t\n
\n\n\t\n\t\t\t
\n\n\t\t\n\t\t\t\"\"<\/a>\t\t\t\n\t\t\t\n\t\t\t\n\t\t\t\n\t\t\n\t\t<\/div>\n\t\n\n\t\n\t\t
\n\n\t\t\t
\n\t\t\t\t\t\t\n\t\t\t\t\t\tArt Market Trends<\/a>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/div>

British Museum (British Museum) visits UK attractions in the second year of 2024<\/a><\/h2><\/div>\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t
\n\t\t\t\t\t

The British Museum has the record for the most visited attractions in the UK in 2024 for the second…<\/p>\n\t\t\t\t<\/div>\n\t\t\t\n\t\t\t\n\t\t\t\n\t\t<\/div>\n\n\t\n<\/article>\t\t\t\t\t\n

\n\n\t\n\t\t\t
\n\n\t\t\n\t\t\t\"\"<\/a>\t\t\t\n\t\t\t\n\t\t\t\n\t\t\t\n\t\t\n\t\t<\/div>\n\t\n\n\t\n\t\t
\n\n\t\t\t
\n\t\t\t\t\t\t\n\t\t\t\t\t\tArt Market Trends<\/a>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/div>

A memetic tribute to Luigi Mangione<\/a><\/h2><\/div>\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t
\n\t\t\t\t\t

Luigi Mangione is portrayed as the “patron saint of justice in healthcare” (all screenshots Isa Farfan\/allergicvia @commiepsychologies1) on ThreadsLast…<\/p>\n\t\t\t\t<\/div>\n\t\t\t\n\t\t\t\n\t\t\t\n\t\t<\/div>\n\n\t\n<\/article>\t\t\t\t\t\n

\n\n\t\n\t\t\t
\n\n\t\t\n\t\t\t\"\"<\/a>\t\t\t\n\t\t\t\n\t\t\t\n\t\t\t\n\t\t\n\t\t<\/div>\n\t\n\n\t\n\t\t
\n\n\t\t\t
\n\t\t\t\t\t\t\n\t\t\t\t\t\tArt Market Trends<\/a>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/div>

Auction houses are luring young collectors into the Old Masters market<\/a><\/h2><\/div>\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t
\n\t\t\t\t\t

Editor’s note: This story originally appeared in On Balance, art news Newsletter about the art market and beyond. Register…<\/p>\n\t\t\t\t<\/div>\n\t\t\t\n\t\t\t\n\t\t\t\n\t\t<\/div>\n\n\t\n<\/article>\t\t\t\t\t\n

\n\n\t\n\t\t\t
\n\n\t\t\n\t\t\t\"\"<\/a>\t\t\t\n\t\t\t\n\t\t\t\n\t\t\t\n\t\t\n\t\t<\/div>\n\t\n\n\t\n\t\t
\n\n\t\t\t
\n\t\t\t\t\t\t\n\t\t\t\t\t\tArt Market Trends<\/a>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/div>

Sotheby’s cuts 100 jobs after New York auction results drop<\/a><\/h2><\/div>\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t
\n\t\t\t\t\t

Auction house Sotheby’s confirmed it has laid off 100 employees from its New York office, with the bulk of…<\/p>\n\t\t\t\t<\/div>\n\t\t\t\n\t\t\t\n\t\t\t\n\t\t<\/div>\n\n\t\n<\/article>\t\t\t\t\t\n

\n\n\t\n\t\t\t
\n\n\t\t\n\t\t\t\"\"<\/a>\t\t\t\n\t\t\t\n\t\t\t\n\t\t\t\n\t\t\n\t\t<\/div>\n\t\n\n\t\n\t\t
\n\n\t\t\t
\n\t\t\t\t\t\t\n\t\t\t\t\t\tArt Market Trends<\/a>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/div>

Art Basel Miami Beach 2024: Museum Shows to See<\/a><\/h2><\/div>\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t
\n\t\t\t\t\t

People come to Art Basel Miami Beach to buy art, attend parties, gawk at social-media-famous socialites, or some mixture…<\/p>\n\t\t\t\t<\/div>\n\t\t\t\n\t\t\t\n\t\t\t\n\t\t<\/div>\n\n\t\n<\/article>\t\t\t\t\t\n

\n\n\t\n\t\t\t
\n\n\t\t\n\t\t\t\"\"<\/a>\t\t\t\n\t\t\t\n\t\t\t\n\t\t\t\n\t\t\n\t\t<\/div>\n\t\n\n\t\n\t\t
\n\n\t\t\t
\n\t\t\t\t\t\t\n\t\t\t\t\t\tArt Market Trends<\/a>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/div>

2024 ARTnews Award for Best Themed Museum Exhibition: “Catching the Moon”<\/a><\/h2><\/div>\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t
\n\t\t\t\t\t

Los Angeles Institute of Contemporary Art “Catch the Moon” Curators: Anna Sue Hoy and Anne EllegoodFebruary 10 to July…<\/p>\n\t\t\t\t<\/div>\n\t\t\t\n\t\t\t\n\t\t\t\n\t\t<\/div>\n\n\t\n<\/article>\t\t\n\t<\/div>\n\n\t\t\n\t\t\t<\/div>\n\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
\n\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t
\n\n\t\t\t\t\t

Most Read<\/a><\/h4>\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\n\t
\n\n\t\t\t\t\t\n
\n\n\t\n\t\t\t
\n\n\t\t\n\t\t\t\"\"<\/a>\t\t\t\n\t\t\t\n\t\t\t\n\t\t\t\n\t\t\n\t\t<\/div>\n\t\n\n\t\n\t\t
\n\n\t\t\t

Mark Stebbins \u2013 BOOOOOOOM! \u2013 Create * Inspire * Community * Art * Design * Music * Film * Photo * Projects<\/a><\/h2>
By<\/span> Iris<\/a><\/span>
\n\n\t\n\t\t\t
\n\n\t\t\n\t\t\t\"\"<\/a>\t\t\t\n\t\t\t\n\t\t\t\n\t\t\t\n\t\t\n\t\t<\/div>\n\t\n\n\t\n\t\t
\n\n\t\t\t

Photographer Rosie Clements’ “Pure Looks”<\/a><\/h2>
By<\/span> Iris<\/a><\/span>
\n\n\t\n\t\t\t
\n\n\t\t\n\t\t\t\"\"<\/a>\t\t\t\n\t\t\t\n\t\t\t\n\t\t\t\n\t\t\n\t\t<\/div>\n\t\n\n\t\n\t\t
\n\n\t\t\t

Chris Lael Larson \u2013 BOOOOOOOM! \u2013 Create * Inspire * Community * Art * Design * Music * Film * Photo * Projects<\/a><\/h2>
By<\/span> Iris<\/a><\/span>
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
\n\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t
\n\n\t\t\t\t\t

Just In<\/h4>\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\n
\n\n\t
\n\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t
\n\n\t\t\t\t\t\n
\n\n\t\n\t\t\t
\n\n\t\t\n\t\t\t\"\"<\/a>\t\t\t\n\t\t\t\n\t\t\t\n\t\t\t\n\t\t\n\t\t<\/div>\n\t\n\n\t\t\t
\n\t\n\t\t
\n\n\t\t\t
\n\t\t\t\t\t\t\n\t\t\t\t\t\tArtist<\/a>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/div>

Kirandeep Grewal: Exploring Identity, Resilience, and Belonging Through Art<\/a><\/h2>
IrisIris<\/a><\/span>
\n\t\t\t\t
\n\t\t\t\t\t
\n\n\t\t\t\t\n\t\t\t
\n\t\t\t\t\t\n\t
\n\n\t\t\t\t\n\t\t\t\n
\n\n\t\n\t\t\t
\n\n\t\t\n\t\t\t\"\"<\/a>\t\t\t\n\t\t\t\n\t\t\t\n\t\t\t\n\t\t\n\t\t<\/div>\n\t\n\n\t\n\t\t
\n\n\t\t\t
\n\t\t\t\t\t\t\n\t\t\t\t\t\tArtist<\/a>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/div>

Camille Ross: Ancestral Journeys Through Memory and Dreams<\/a><\/h2>
By<\/span> Iris<\/a><\/span>
\n\t\t\t\t\t

Camille Ross is an American photographer and visual artist whose work reflects a life shaped by contrasting…<\/p>\n\t\t\t\t<\/div>\n\t\t\t\n\t\t\t\n\t\t\t\n\t\t<\/div>\n\n\t\n<\/article>\n\t\t\t\t\n\t\t\t\n

\n\n\t\n\t\t\t
\n\n\t\t\n\t\t\t\"\"<\/a>\t\t\t\n\t\t\t\n\t\t\t\n\t\t\t\n\t\t\n\t\t<\/div>\n\t\n\n\t\n\t\t
\n\n\t\t\t
\n\t\t\t\t\t\t\n\t\t\t\t\t\tArtist<\/a>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/div>

Sonja Kalb: The Living Pulse of Nature in\u00a0Rainforest<\/a><\/h2>
By<\/span> Iris<\/a><\/span>
\n\t\t\t\t\t

Born in Stuttgart, Germany,\u00a0Sonja Kalb\u00a0brings a unique perspective to contemporary abstract art, drawing upon her experience…<\/p>\n\t\t\t\t<\/div>\n\t\t\t\n\t\t\t\n\t\t\t\n\t\t<\/div>\n\n\t\n<\/article>\n\t\t\t\t\n\t\t\t\n

\n\n\t\n\t\t\t
\n\n\t\t\n\t\t\t\"\"<\/a>\t\t\t\n\t\t\t\n\t\t\t\n\t\t\t\n\t\t\n\t\t<\/div>\n\t\n\n\t\n\t\t
\n\n\t\t\t
\n\t\t\t\t\t\t\n\t\t\t\t\t\tArtist<\/a>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/div>

Deborah\u00a0K.\u00a0Tash:\u00a0Between\u00a0Earth,\u00a0Sky,\u00a0and\u00a0the\u00a0Sacred<\/a><\/h2>
By<\/span> Iris<\/a><\/span>
\n\t\t\t\t\t

Born in 1949 and raised in California\u2019s San Francisco Bay Area, Deborah K. Tash is a visual artist and poet whose creative practice explores cultural identity, spirituality, and the natural world. Her artistic perspective is influenced by her mother\u2019s Mexican ancestry and her father\u2019s Celtic heritage. Identifying as Mestiza, Tash embraces the intersection of these traditions, drawing inspiration from their histories, mythologies, and relationships with nature. Painting and poetry serve as complementary forms of expression, allowing her to explore experiences beyond conventional language. Her compositions examine the relationship between visible reality and the unseen, inviting reflection on memory, transformation, and the mysteries of existence. Through atmospheric color, symbolic imagery, and thoughtful compositions, Tash creates visual environments where personal history meets universal questions. Her work encourages viewers to contemplate the spiritual dimensions of everyday life and the enduring connections between humanity, nature, and the unknown. Cloudscape Design Series \/ The Eye of God In Cloudscape Design Series \/ The Eye of God, Deborah K. Tash explores the relationship between atmospheric space, spiritual awareness, and the human desire to understand what exists beyond immediate perception. The painting presents an expansive field of delicate whites and pale blues, interrupted by a small, concentrated form resembling an eye. Through this restrained composition, Tash transforms a familiar natural phenomenon into a meditation on observation, presence, and the mysteries concealed within the visible world. The painting is dominated by a luminous cloudlike environment. Layers of white, icy blue, and muted gray create a softly textured surface suggesting drifting clouds, mist, or an endless celestial expanse. Rather than depicting a conventional landscape with a recognizable horizon, Tash allows the entire composition to become an atmospheric space. There is no clear distinction between foreground and background, giving the impression of looking into an environment without measurable boundaries. This absence of fixed spatial references contributes to the painting\u2019s contemplative character. The viewer encounters a surface that feels simultaneously expansive and intimate, as though the sky has been brought close enough to reveal its smallest variations. Gentle transitions between colors suggest movement, while the overall composition maintains an atmosphere of stillness. Near the center-right of the painting, a small oval form emerges from the surrounding pale surface. Its deep turquoise, blue, and dark green tones contrast with the subdued colors of the cloudscape. Encircled by a violet-blue border, the form resembles an eye suspended within the atmosphere. Although modest in scale, it becomes the primary focal point, drawing attention through its concentrated color and unusual placement. The title, The Eye of God, introduces a spiritual dimension to this visual arrangement. Across different religious and cultural traditions, the eye has been associated with awareness, protection, divine observation, and consciousness beyond ordinary human understanding. In Tash\u2019s painting, the eye may symbolize spiritual perception, suggesting that something unseen exists within the seemingly empty spaces of nature. Yet the composition does not impose a single interpretation. The central form might also evoke a celestial body, an opening in the clouds, or an organic structure observed from an unfamiliar perspective. Its ambiguity allows the painting to move between physical and metaphysical worlds. What initially appears to be an atmospheric study gradually becomes an invitation to consider the relationship between seeing and knowing. Color plays an essential role in establishing this relationship. The pale blue and white background creates a sense of openness and tranquility, while the darker central image introduces depth and visual intensity. The purple surrounding the eye provides a subtle transition between these contrasting elements. This limited palette gives the composition coherence while allowing small variations in tone to carry expressive meaning. Equally important is Tash\u2019s treatment of negative space. Much of the painting remains visually quiet, with the eye occupying only a small portion of the surface. This difference in scale emphasizes the vastness of the surrounding atmosphere and encourages viewers to consider the relationship between the individual and the infinite. The central image appears both isolated and connected to its environment, suggesting that even the smallest presence may hold meaning within a larger universe. The cloudscape also reflects Tash\u2019s interest in nature as a source of spiritual reflection. Clouds constantly change, forming temporary shapes before dissolving into new arrangements. Their impermanence offers a visual metaphor for memory, transformation, and the passage of time. There is also a poetic quality to the composition. Like a short poem, the painting communicates through suggestion rather than explanation. Its meaning develops through the interaction of a few carefully arranged elements: an atmospheric field, a solitary eye, and the surrounding silence. Ultimately, Cloudscape Design Series \/ The Eye of God examines how a minimal visual encounter can inspire deeper contemplation. Through atmospheric texture, symbolic imagery, and carefully balanced color, Deborah K. Tash creates a painting connecting the natural world with questions of consciousness and spiritual presence. The work invites viewers to look beyond the surface of the sky and consider the mysteries that remain outside ordinary perception.<\/p>\n\t\t\t\t<\/div>\n\t\t\t\n\t\t\t\n\t\t\t\n\t\t<\/div>\n\n\t\n<\/article>\n\t\t\t\t\n\t\t\t\n

\n\n\t\n\t\t\t
\n\n\t\t\n\t\t\t\"\"<\/a>\t\t\t\n\t\t\t\n\t\t\t\n\t\t\t\n\t\t\n\t\t<\/div>\n\t\n\n\t\n\t\t
\n\n\t\t\t
\n\t\t\t\t\t\t\n\t\t\t\t\t\tArtist<\/a>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/div>

Vicky Tsalamata: Mapping the Human Condition<\/a><\/h2>
By<\/span> Iris<\/a><\/span>
\n\t\t\t\t\t

From her base in Athens, Greece, Vicky Tsalamata examines the connections between human experience, historical memory,…<\/p>\n\t\t\t\t<\/div>\n\t\t\t\n\t\t\t\n\t\t\t\n\t\t<\/div>\n\n\t\n<\/article>\n\t\t\t\t\n\t\t\t\n

\n\n\t\n\t\t\t
\n\n\t\t\n\t\t\t\"\"<\/a>\t\t\t\n\t\t\t\n\t\t\t\n\t\t\t\n\t\t\n\t\t<\/div>\n\t\n\n\t\n\t\t
\n\n\t\t\t
\n\t\t\t\t\t\t\n\t\t\t\t\t\tArtist<\/a>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/div>

Jane Gottlieb: A World Reimagined Through Color<\/a><\/h2>
By<\/span> Iris<\/a><\/span>
\n\t\t\t\t\t

Jane Gottlieb approaches photography as the beginning of an imaginative journey. Across a career spanning more…<\/p>\n\t\t\t\t<\/div>\n\t\t\t\n\t\t\t\n\t\t\t\n\t\t<\/div>\n\n\t\n<\/article>\n\t\t\n\t<\/div>\n\n\t\t\t\t\t<\/div>\n\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
\n\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t
\n\n\t\t\t\t\t

Trending<\/a><\/h4>\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\n\t
\n\n\t\t\t\t\n\t\t\t\n
\n\n\t\n\t\t\t
\n\n\t\t\n\t\t\t\"\"<\/a>\t\t\t\n\t\t\t\n\t\t\t\n\t\t\t\n\t\t\n\t\t<\/div>\n\t\n\n\t\n\t\t
\n\n\t\t\t
\n\t\t\t\t\t\t\n\t\t\t\t\t\tarchtecture<\/a>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/div>

Frank Lloyd Wright: Masterpieces That Changed Architecture<\/a><\/h2>
By<\/span> Iris<\/a><\/span><\/i>1 Min Read<\/span><\/div><\/div>\t\t\t\n\t\t\t\n\t\t\t\n\t\t<\/div>\n\n\t\n<\/article>\n\t\t\t\t\n\t\t\t\n
\n\n\t\n\t\t\t
\n\n\t\t\n\t\t\t\"\"<\/a>\t\t\t\n\t\t\t\n\t\t\t\n\t\t\t\n\t\t\n\t\t<\/div>\n\t\n\n\t\n\t\t
\n\n\t\t\t
\n\t\t\t\t\t\t\n\t\t\t\t\t\tArtist<\/a>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/div>

Nan Goldin Speaks Out on Censorship of Berlin Show<\/a><\/h2>
By<\/span> Iris<\/a><\/span><\/i>17 Mins Read<\/span><\/div><\/div>\t\t\t\n\t\t\t\n\t\t\t\n\t\t<\/div>\n\n\t\n<\/article>\n\t\t\t\t\n\t\t\t\n
\n\n\t\n\t\t\t
\n\n\t\t\n\t\t\t\"\"<\/a>\t\t\t\n\t\t\t\n\t\t\t\n\t\t\t\n\t\t\n\t\t<\/div>\n\t\n\n\t\n\t\t
\n\n\t\t\t
\n\t\t\t\t\t\t\n\t\t\t\t\t\tArtist<\/a>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/div>

Nikki Giovanni, the ‘Princess of Black Poetry’, dies at 81<\/a><\/h2>
By<\/span> Iris<\/a><\/span><\/i>4 Mins Read<\/span><\/div><\/div>\t\t\t\n\t\t\t\n\t\t\t\n\t\t<\/div>\n\n\t\n<\/article>\n\t\t\t\t\n\t\t\t\n
\n\n\t\n\t\t\t
\n\n\t\t\n\t\t\t\"\"<\/a>\t\t\t\n\t\t\t\n\t\t\t\n\t\t\t\n\t\t\n\t\t<\/div>\n\t\n\n\t\n\t\t
\n\n\t\t\t
\n\t\t\t\t\t\t\n\t\t\t\t\t\tArtist<\/a>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/div>

Sotheby’s to auction original artwork by Maurice Sendak<\/a><\/h2>
By<\/span> Iris<\/a><\/span><\/i>3 Mins Read<\/span><\/div><\/div>\t\t\t\n\t\t\t\n\t\t\t\n\t\t<\/div>\n\n\t\n<\/article>\n\t\t\n\t<\/div>\n\n\t\t\t\t\t<\/div>\n\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Art News The sun eats the banana Cattleya bought for $6.2 million at Sotheby’s godlove4241December 5, 2024 Art Market Trends A memetic tribute to Luigi Mangione Artist Nan Goldin Speaks Out on Censorship of Berlin Show Artist Nikki Giovanni, the ‘Princess of Black Poetry’, dies at 81 People’s Favorite Artist Nan Goldin Speaks Out on<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-templates\/no-wrapper.php","meta":{"footnotes":""},"class_list":["post-6","page","type-page","status-publish"],"brizy_media":[],"_links":{"self":[{"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/pages\/6","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/artoday.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6"}],"version-history":[{"count":5,"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/pages\/6\/revisions"}],"predecessor-version":[{"id":13952,"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/pages\/6\/revisions\/13952"}],"wp:attachment":[{"href":"https:\/\/artoday.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}