{"id":13529,"date":"2024-12-07T15:52:56","date_gmt":"2024-12-07T15:52:56","guid":{"rendered":"https:\/\/artoday.net\/?p=13529"},"modified":"2024-12-07T15:52:57","modified_gmt":"2024-12-07T15:52:57","slug":"jasleen-kaurs-car-draped-in-doily-wins-this-years-turner-prize","status":"publish","type":"post","link":"https:\/\/artoday.net\/?p=13529","title":{"rendered":"Jasleen Kaur&#8217;s car draped in doily wins this year&#8217;s Turner Prize"},"content":{"rendered":"<p><\/p>\n<div>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\tJasleen Kaur wins the 2024 Turner Prize for work reflecting on her childhood in Glasgow, including a Ford Escort Cabriolet Mk3 covered with a giant doily titled <em>Social mobile.<\/em> Kaul, 38, is the youngest contestant on this year&#8217;s shortlist. The judges were impressed by her &#8220;unexpected and interesting mix of material&#8221;.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\tThe annual Turner Prize is the UK&#8217;s most prestigious visual arts honour. The winner will receive \u00a325,000 and the shortlisted artist will receive \u00a310,000. Every other year the works are shown in an exhibition at London&#8217;s Tate Britain (where the prize travels across the country), with the 2024 exhibition opening on 25 September and running until February 2025 January 16th. <\/p>\n<section class=\"article-related-links \/\/ a-pull-3@tablet lrv-u-text-align-center@tablet u-width-250@tablet lrv-u-padding-lr-050 lrv-a-floated-left@tablet lrv-u-margin-r-1 lrv-u-margin-b-1\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-font-family-secondary lrv-u-font-weight-bold lrv-u-font-size-26@tablet a-pull-up-above-item\">\n<p>\t\tRelated articles<\/p>\n<\/h2>\n<div class=\"u-border-color-brand-primary u-border-a-10@tablet u-padding-lr-1@tablet u-padding-b-1@tablet\">\n<div class=\"c-lazy-image  a-pull-up-item a-hidden@mobile-max u-box-shadow-medium lrv-u-margin-b-050\">\n<div class=\"lrv-a-crop-2x3\" style=\"\">\n<p>\t\t\t\t\t\t<img decoding=\"async\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/09\/GettyImages-1463303817.jpg?w=150&amp;h=150&amp;crop=1\" alt=\"A woman in a skirt stands on the stage next to a big screen.\" srcset=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/09\/GettyImages-1463303817.jpg 1024w, https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/09\/GettyImages-1463303817.jpg?resize=400,267 400w\" data-lazy-sizes=\"(min-width: 87.5rem) 1000px, (min-width: 78.75rem) 681px, (min-width: 48rem) 450px, (max-width: 48rem) 250px\" height=\"\" width=\"\"\/><\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/section>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\tKaul&#8217;s installation &#8220;Alter Altar&#8221; at Tate Britain (which he returned to after last year&#8217;s ceremony in Sussex) is headlined by a vintage car erupting from its interior with a mix of pop, Music of hip hop and qawwali religious music. speaker. The work also features liturgical bells and the quintessential Scottish soda Irn-Bru, celebrating Cowher&#8217;s Sikh community in Glasgow.<\/p>\n<p>Alex Farquharson, Director of Tate Britain, sits on the Turner Prize jury alongside Rosie Cooper, Director of Wysing Arts Centre. Lydia Yee, curator and art historian; Ekow Eshun, writer, broadcaster and curator; and Sam Thorne, managing director and CEO of Japan House London. Farquharson said they were impressed by Kaur&#8217;s &#8220;transformation of various everyday objects, some everyday and disposable, into animated environments.&#8221;<\/p>\n<p>He added that Kaul&#8217;s art &#8220;opens up larger questions of memory, culture and politics that have significant historical and geographical coordinates, particularly the legacy of colonialism.&#8221;<\/p>\n<p>British actor James Norton presented the artist with a \u00a325,000 (approximately $30,000) gift at Tate Britain on Tuesday night.<\/p>\n<p>After accepting the award, Kaul told the audience that she was unaware of the Turner Prize growing up because she had no &#8220;cultural exposure.&#8221; <\/p>\n<p>&#8220;I&#8217;ve received a lot of messages today from the local Sikh community and people I grew up with,&#8221; she said. &#8220;Something like this that&#8217;s so obvious means a lot to a lot of different people. It means different things to different groups, and I&#8217;d like to speak for all of them.&#8221;<\/p>\n<p>Her exhibition &#8216;Alter Altar&#8217; at Glasgow Tramway in 2023 was the reason for her nomination for this year&#8217;s award. She recreated the show at Tate Britain, which has been described as a throwback to the glory days of the Turner Prize, when well-known works included Damien Hirst&#8217;s Cow and Calf Pickled in Formaldehyde (1995) and Tracey Emin&#8217;s &#8220;Cow and Calf Pickled in Formaldehyde.&#8221;<em> my bed<\/em> (1999).<\/p>\n<p>Other artists shortlisted for this year&#8217;s awards include Claudette Johnson, Delaine Le Bas and Pio Abad.<\/p>\n<\/p><\/div>\n<p><a href=\"https:\/\/www.artnews.com\/art-news\/news\/jasleen-kaurs-car-draped-in-a-doily-wins-this-years-turner-prize-1234725826\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jasleen Kaur wins the 2024 Turner Prize for work reflecting on her childhood in Glasgow, including a Ford Escort Cabriolet Mk3 covered with a giant doily titled Social mobile. Kaul, 38, is the youngest contestant on this year&#8217;s shortlist. The judges were impressed by her &#8220;unexpected and interesting mix of material&#8221;. The annual Turner Prize<\/p>\n","protected":false},"author":1,"featured_media":13530,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[46],"tags":[],"class_list":{"0":"post-13529","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-artist"},"brizy_media":[],"_links":{"self":[{"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/posts\/13529","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/artoday.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=13529"}],"version-history":[{"count":1,"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/posts\/13529\/revisions"}],"predecessor-version":[{"id":13781,"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/posts\/13529\/revisions\/13781"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/media\/13530"}],"wp:attachment":[{"href":"https:\/\/artoday.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=13529"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artoday.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=13529"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artoday.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=13529"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}