{"id":13959,"date":"2024-12-12T15:18:18","date_gmt":"2024-12-12T15:18:18","guid":{"rendered":"https:\/\/artoday.net\/?p=13959"},"modified":"2024-12-12T15:18:18","modified_gmt":"2024-12-12T15:18:18","slug":"zoe-whitley-leaves-chisenhale-gallery-london","status":"publish","type":"post","link":"https:\/\/artoday.net\/?p=13959","title":{"rendered":"Zo\u00e9 Whitley leaves Chisenhale Gallery, London"},"content":{"rendered":"<p><\/p>\n<div>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\tZo\u00e9 Whitley is to step down as director of Chisenhale Gallery, the London art space that has nurtured adventurous emerging artists into bona fide stars.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\tWhitley&#8217;s last day there will be March 1, 2025. Chisenhal Gallery did not specify her next steps when announcing her departure.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\tDuring her five-year tenure at Chisenhale Gallery, she organized space exhibitions for artists including Lotus L. Kang and Nikita Gale. Both artists appear in this year&#8217;s Whitney Biennial after first exhibiting there.<\/p>\n<section class=\"article-related-links \/\/ a-pull-3@tablet lrv-u-text-align-center@tablet u-width-250@tablet lrv-u-padding-lr-050 lrv-a-floated-left@tablet lrv-u-margin-r-1 lrv-u-margin-b-1\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-font-family-secondary lrv-u-font-weight-bold lrv-u-font-size-26@tablet a-pull-up-above-item\">\n<p>\t\tRelated articles<\/p>\n<\/h2>\n<div class=\"u-border-color-brand-primary u-border-a-10@tablet u-padding-lr-1@tablet u-padding-b-1@tablet\">\n<div class=\"c-lazy-image  a-pull-up-item a-hidden@mobile-max u-box-shadow-medium lrv-u-margin-b-050\">\n<div class=\"lrv-a-crop-2x3\" style=\"\">\n<p>\t\t\t\t\t\t<img decoding=\"async\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2022\/10\/IMG_9870.jpg?w=150&amp;h=150&amp;crop=1\" alt=\"Suspended rafters hold spotlights with flowing fabric underneath.\" srcset=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2022\/10\/IMG_9870.jpg 1200w, https:\/\/www.artnews.com\/wp-content\/uploads\/2022\/10\/IMG_9870.jpg?resize=400,300 400w\" data-lazy-sizes=\"(min-width: 87.5rem) 1000px, (min-width: 78.75rem) 681px, (min-width: 48rem) 450px, (max-width: 48rem) 250px\" height=\"\" width=\"\"\/><\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/section>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\tFurther signs of Chisenhal Gallery\u2019s influence came at this year\u2019s Venice Biennale, which featured works by Rindon Johnson that were first shown at the London art space three years ago. Collector Bob Rennie and the MUDAM Museum in Luxembourg acquired Johnson&#8217;s commissioned work from the 2021 Chisenhale exhibition.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\tAlia Farid, Beno\u00eet Pieron and Rachel Jones also exhibited at Chisenhal Gallery under Wheatley.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\t&#8220;I can&#8217;t think of a more exciting place to experience true artistic innovation first-hand than at Chisenhal Gallery, where newly commissioned works are reverberating around the world,&#8221; Wheatley said in a statement. \u201cI am proud to be involved in the consistently era-defining programming of one of London\u2019s leading contemporary arts incubators and, most importantly, in its truly inspiring approach to social practice.\u201d<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\tBefore becoming director of Chisenhal in 2020, Wheatley had already received acclaim for curating exhibitions such as &#8220;The Soul of a Nation: Art in the Black Power Era,&#8221; which she co-organized with Mark Godfrey. The exhibition debuted in 2017 at the Tate Modern in London, where Wheatley was the international art curator at the time, and continued to receive positive reviews as it toured across the United States in subsequent years.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\tIn 2019, the same year that Wheatley organized the Cathy Wilkes British Pavilion at the Venice Biennale, Wheatley became senior curator at the Hayward Gallery.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\tChisenhal Gallery said Thursday that it will begin a search for a new director early next year.<\/p>\n<\/p><\/div>\n<p><a href=\"https:\/\/www.artnews.com\/art-news\/news\/zoe-whitley-chisenhale-gallery-departure-1234726895\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Zo\u00e9 Whitley is to step down as director of Chisenhale Gallery, the London art space that has nurtured adventurous emerging artists into bona fide stars. Whitley&#8217;s last day there will be March 1, 2025. Chisenhal Gallery did not specify her next steps when announcing her departure. During her five-year tenure at Chisenhale Gallery, she organized<\/p>\n","protected":false},"author":1,"featured_media":13960,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[46],"tags":[],"class_list":{"0":"post-13959","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-artist"},"brizy_media":[],"_links":{"self":[{"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/posts\/13959","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/artoday.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=13959"}],"version-history":[{"count":1,"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/posts\/13959\/revisions"}],"predecessor-version":[{"id":13961,"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/posts\/13959\/revisions\/13961"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/media\/13960"}],"wp:attachment":[{"href":"https:\/\/artoday.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=13959"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artoday.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=13959"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artoday.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=13959"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}