{"id":14002,"date":"2024-12-13T17:03:51","date_gmt":"2024-12-13T17:03:51","guid":{"rendered":"https:\/\/artoday.net\/?p=14002"},"modified":"2024-12-13T17:03:52","modified_gmt":"2024-12-13T17:03:52","slug":"women-only-artwork-returns-to-tasmania-after-supreme-court-win","status":"publish","type":"post","link":"https:\/\/artoday.net\/?p=14002","title":{"rendered":"&#8216;Women only&#8217; artwork returns to Tasmania after Supreme Court win"},"content":{"rendered":"<p><\/p>\n<div>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\tAustralia&#8217;s Museum of Old and New Art (MONA) in Hobart is to reopen its women-only art installation after a successful reversal of a Tasmanian court case.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\tA work by artist and curator Kirsha Kaechele titled <em>ladies lounge<\/em>Jason Lau filed a lawsuit against the agency, claiming his rights were violated when he was denied access to the facility in April 2023. He subsequently complained to the Tasmanian Anti-Discrimination Commissioner, who referred him to the tribunal.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\tIn response, Keichler argued that the artwork was deliberately disingenuous. The article refers to a moment in Australian history when women won the right to drink in the country&#8217;s pubs in 1965. Until then, women were either relegated to side rooms, where exorbitant fees were charged, or banned from such establishments altogether.<\/p>\n<section class=\"article-related-links \/\/ a-pull-3@tablet lrv-u-text-align-center@tablet u-width-250@tablet lrv-u-padding-lr-050 lrv-a-floated-left@tablet lrv-u-margin-r-1 lrv-u-margin-b-1\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-font-family-secondary lrv-u-font-weight-bold lrv-u-font-size-26@tablet a-pull-up-above-item\">\n<p>\t\tRelated articles<\/p>\n<\/h2>\n<div class=\"u-border-color-brand-primary u-border-a-10@tablet u-padding-lr-1@tablet u-padding-b-1@tablet\">\n<div class=\"c-lazy-image  a-pull-up-item a-hidden@mobile-max u-box-shadow-medium lrv-u-margin-b-050\">\n<div class=\"lrv-a-crop-2x3\" style=\"\">\n<p>\t\t\t\t\t\t<img decoding=\"async\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/05\/Screen-Shot-2024-05-07-at-11.29.51-AM.png?w=150&amp;h=150&amp;crop=1\" alt=\"Artwork hangs in the green velvet-lined room.\" srcset=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/05\/Screen-Shot-2024-05-07-at-11.29.51-AM.png 1137w, https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/05\/Screen-Shot-2024-05-07-at-11.29.51-AM.png?resize=400,229 400w\" data-lazy-sizes=\"(min-width: 87.5rem) 1000px, (min-width: 78.75rem) 681px, (min-width: 48rem) 450px, (max-width: 48rem) 250px\" height=\"\" width=\"\"\/><\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/section>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\tAlthough the court upheld the ruling and ordered the museum to stop denying male visitors access to its installation, Australia&#8217;s Supreme Court later overturned the court order, ruling <em>ladies lounge<\/em> No discrimination. The installation has now reopened, with the butler serving champagne to the female audience.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\t&#8220;Welcome back, ladies,&#8221; Keichler said in a press release. \u201cCases that go through the courts, <em>ladies lounge<\/em> It has transcended the art museum and come to life. People from around the world are invited to reflect on the female experience throughout history and today.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\t\u201cIt\u2019s time to celebrate where it all began \u2013 with the attentiveness of our butlers and plenty of champagne to celebrate this incredible chapter!\u201d<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\tAlthough men are still prohibited from participating <em>ladies lounge<\/em>voting on Mona&#8217;s app O will allow a small number of men the opportunity to participate, with the caveat that they can only participate as domestic servants.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\t&#8220;Admission for women, except for men, is included in museum admission,&#8221; a museum statement said.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\tFuture events and performances related to this production will be announced. Additionally, to mark the piece&#8217;s display at the museum, Kaechele has commissioned a new limited-edition fragrance, Verdict, which features &#8220;an elegant bouquet of lush green stems, juicy citrus and a hint of spice&#8221; for &#8221; That lady&#8221;. Appeal,\u201d according to the museum.<\/p>\n<\/p><\/div>\n<p><a href=\"https:\/\/www.artnews.com\/art-news\/news\/women-only-artwork-ladies-lounge-returns-mona-1234726921\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Australia&#8217;s Museum of Old and New Art (MONA) in Hobart is to reopen its women-only art installation after a successful reversal of a Tasmanian court case. A work by artist and curator Kirsha Kaechele titled ladies loungeJason Lau filed a lawsuit against the agency, claiming his rights were violated when he was denied access to<\/p>\n","protected":false},"author":1,"featured_media":9053,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[46],"tags":[],"class_list":["post-14002","post","type-post","status-publish","format-standard","has-post-thumbnail","category-artist"],"brizy_media":[],"_links":{"self":[{"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/posts\/14002","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/artoday.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=14002"}],"version-history":[{"count":1,"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/posts\/14002\/revisions"}],"predecessor-version":[{"id":14040,"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/posts\/14002\/revisions\/14040"}],"wp:attachment":[{"href":"https:\/\/artoday.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=14002"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artoday.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=14002"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artoday.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=14002"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}