{"id":14140,"date":"2024-12-27T21:16:08","date_gmt":"2024-12-27T21:16:08","guid":{"rendered":"https:\/\/artoday.net\/?p=14140"},"modified":"2024-12-27T21:16:09","modified_gmt":"2024-12-27T21:16:09","slug":"8-exhibitions-at-new-york-museums-during-the-2024-holidays","status":"publish","type":"post","link":"https:\/\/artoday.net\/?p=14140","title":{"rendered":"8 exhibitions at New York museums during the 2024 holidays"},"content":{"rendered":"<p><\/p>\n<div>\n<p>Art<\/p>\n<p>Annabel Keenan<\/p>\n<div class=\"Box-sc-15se88d-0\">\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-sc-cw39ct-0 idkEHS\">\n<div width=\"100%\" overflow=\"hidden\" style=\"aspect-ratio:2000 \/ 1334;max-width:100%\" class=\"Box-sc-15se88d-0 jJVzlg\"><button width=\"100%\" height=\"100%\" cursor=\"pointer\" type=\"button\" class=\"Clickable-sc-10cr82y-0 ArticleZoomButton__Button-sc-66cb0dc2-1 hgRaTA jLxxJp\"><\/p>\n<div width=\"100%\" height=\"100%\" class=\"Box-sc-15se88d-0 Skeleton__SkeletonBox-sc-1vwqe5c-0 jUKPKP\"><span class=\"LazyImage__InnerLazyImage-sc-1fxlbs3-0 elpaBN\" style=\"opacity:0\"\/><img decoding=\"async\" src=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2FYZcaULtDJNNgHT1r-dlChw%252FWMAA87128_TR5_6970_lpr.jpg&amp;width=910\" srcset=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2FYZcaULtDJNNgHT1r-dlChw%252FWMAA87128_TR5_6970_lpr.jpg&amp;width=910 1x, https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2FYZcaULtDJNNgHT1r-dlChw%252FWMAA87128_TR5_6970_lpr.jpg&amp;width=1820 2x\" alt=\"\" class=\"Image__BaseImage-sc-sq2zgu-0 fHGHfv\"\/><\/div>\n<p><\/button><\/div>\n<\/div>\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-sc-cw39ct-0 kdTUFJ\">\n<div overflow=\"hidden\" class=\"Box-sc-15se88d-0 dyysfQ\">\n<div class=\"Box-sc-15se88d-0\">\n<div color=\"black60\" font-family=\"sans\" class=\"Box-sc-15se88d-0 Text-sc-18gcpao-0 HTML__Container-sc-1im40xc-0 irDwAE bbAxnM eaQyqh\">\n<p>Mickalene Thomas, installation view <i>Katherine Dunham: Revelation<\/i>2024, \u201cThe Ailey Edge\u201d at the Whitney Museum of American Art, 2024. Photography: David Tufino. Courtesy Whitney Museum of American Art.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"Box-sc-15se88d-0 ArticleHTML__Container-sc-2290ce22-0 hsljei cZGITp\">\n<p>The holidays are in full swing, and New York is filled with twinkling lights, pop-up shops, and special attractions, from the Christmas tree at Rockefeller Center to the holiday train show at the New York Botanical Garden. In addition to the seasonal experiences on offer, there are several exciting museum exhibitions throughout the city. <\/p>\n<p>Whether you&#8217;re a visiting tourist or a local on vacation in town, there are plenty of exhibits to add some culture to your agenda. From an overview of Latin contemporary art at El Museo del Barrio to 24-hour films at the Museum of Modern Art, here are the must-see museum exhibitions during the holidays.<\/p>\n<\/div>\n<div class=\"Box-sc-15se88d-0 ArticleHTML__Container-sc-2290ce22-0 hsljei cZGITp\">\n<h2>&#8220;Brooklyn Artists Exhibition&#8221;<\/h2>\n<h3>brooklyn museum<\/h3>\n<h3>As of January 26, 2025<\/h3>\n<\/div>\n<div class=\"Box-sc-15se88d-0\">\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-sc-cw39ct-0 idkEHS\">\n<div width=\"100%\" overflow=\"hidden\" style=\"aspect-ratio:2000 \/ 1500;max-width:100%\" class=\"Box-sc-15se88d-0 jJVzlg\"><button width=\"100%\" height=\"100%\" cursor=\"pointer\" type=\"button\" class=\"Clickable-sc-10cr82y-0 ArticleZoomButton__Button-sc-66cb0dc2-1 hgRaTA jLxxJp\"><\/p>\n<div width=\"100%\" height=\"100%\" class=\"Box-sc-15se88d-0 Skeleton__SkeletonBox-sc-1vwqe5c-0 jUKPKP\"><span class=\"LazyImage__InnerLazyImage-sc-1fxlbs3-0 elpaBN\" style=\"opacity:0\"\/><img decoding=\"async\" src=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2F1W22D959g1Hs0d2X7Rbs7g%252FDIG_E_2024_The_Brooklyn_Artists_Exhibition_64_Timothy_Doyon_4655-General%2BUse%2BJPEG.jpg&amp;width=910\" srcset=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2F1W22D959g1Hs0d2X7Rbs7g%252FDIG_E_2024_The_Brooklyn_Artists_Exhibition_64_Timothy_Doyon_4655-General%2BUse%2BJPEG.jpg&amp;width=910 1x, https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2F1W22D959g1Hs0d2X7Rbs7g%252FDIG_E_2024_The_Brooklyn_Artists_Exhibition_64_Timothy_Doyon_4655-General%2BUse%2BJPEG.jpg&amp;width=1820 2x\" alt=\"\" class=\"Image__BaseImage-sc-sq2zgu-0 fHGHfv\"\/><\/div>\n<p><\/button><\/div>\n<\/div>\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-sc-cw39ct-0 kdTUFJ\">\n<div overflow=\"hidden\" class=\"Box-sc-15se88d-0 dyysfQ\">\n<div class=\"Box-sc-15se88d-0\">\n<div color=\"black60\" font-family=\"sans\" class=\"Box-sc-15se88d-0 Text-sc-18gcpao-0 HTML__Container-sc-1im40xc-0 irDwAE bbAxnM eaQyqh\">\n<p>Installation view of \u201cBrooklyn Artists,\u201d Brooklyn Museum, 2024. Photography: Timothy Doyon. Courtesy of the Brooklyn Museum.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"Box-sc-15se88d-0 ArticleHTML__Container-sc-2290ce22-0 hsljei cZGITp\">\n<p>In this sweeping group exhibition, the Brooklyn Museum is celebrating its 200th anniversary and paying tribute to the vibrant creative community that has called it home for two centuries. Featuring more than 200 artists whose work spans a variety of disciplines from painting and photography to stop-motion animation, the exhibition features the artists\u2019 connections to Brooklyn\u2014all of whom have lived in or established themselves in the borough within the past five years. own studio. <\/p>\n<p>The exhibition was developed through an innovative curatorial process by artists Jeffrey Gibson, Vik Muniz, Mickalene Thomas and Fred Thoma Fred Tomaselli chose many of the names. In addition, the museum held an open call and received responses from more than 4,000 hopefuls. The resulting presentation is a diverse, visually exciting melting pot\u2014much like Brooklyn itself. Overlapping themes emerged, such as the intertwined nature of identity, memory and place, and the power of art to create community. Among the standout works is Artsy Vanguard 2025 artist Melissa Joseph\u2019s felt portrait of her niece Olive giving her father a haircut during the pandemic. With extraordinary skill, Joseph meticulously recreates the images from the selfies, even interpreting minute details of family members&#8217; facial expressions using her signature dry felt fibers. <\/p>\n<p><em>The Brooklyn Museum will be closed on Christmas Day and New Year&#8217;s Day.<\/em><\/p>\n<\/div>\n<div class=\"Box-sc-15se88d-0 ArticleHTML__Container-sc-2290ce22-0 hsljei cZGITp\">\n<h3>Museum of Modern Art <\/h3>\n<h3>As of February 17, 2025<\/h3>\n<\/div>\n<div class=\"Box-sc-15se88d-0\">\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-sc-cw39ct-0 idkEHS\">\n<div width=\"100%\" overflow=\"hidden\" style=\"aspect-ratio:800 \/ 450;max-width:100%\" class=\"Box-sc-15se88d-0 jJVzlg\"><button width=\"100%\" height=\"100%\" cursor=\"pointer\" type=\"button\" class=\"Clickable-sc-10cr82y-0 ArticleZoomButton__Button-sc-66cb0dc2-1 hgRaTA jLxxJp\"><\/p>\n<div width=\"100%\" height=\"100%\" class=\"Box-sc-15se88d-0 Skeleton__SkeletonBox-sc-1vwqe5c-0 jUKPKP\"><span class=\"LazyImage__InnerLazyImage-sc-1fxlbs3-0 elpaBN\" style=\"opacity:0\"\/><img decoding=\"async\" src=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2Fy0JXpkDFOSK1YzTBM-XHDA%252FPG819.2011_1730-A-.jpg&amp;width=910\" srcset=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2Fy0JXpkDFOSK1YzTBM-XHDA%252FPG819.2011_1730-A-.jpg&amp;width=910 1x, https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2Fy0JXpkDFOSK1YzTBM-XHDA%252FPG819.2011_1730-A-.jpg&amp;width=1820 2x\" alt=\"\" class=\"Image__BaseImage-sc-sq2zgu-0 fHGHfv\"\/><\/div>\n<p><\/button><\/div>\n<\/div>\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-sc-cw39ct-0 kdTUFJ\">\n<div overflow=\"hidden\" class=\"Box-sc-15se88d-0 dyysfQ\">\n<div class=\"Box-sc-15se88d-0\">\n<div color=\"black60\" font-family=\"sans\" class=\"Box-sc-15se88d-0 Text-sc-18gcpao-0 HTML__Container-sc-1im40xc-0 irDwAE bbAxnM eaQyqh\">\n<p>Christian Maclay, still from <i>clock<\/i>2010. \u00a9 2024 Christian Maclay. Courtesy Paula Cooper Gallery and White Cube.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"Box-sc-15se88d-0 ArticleHTML__Container-sc-2290ce22-0 hsljei cZGITp\">\n<p>Christian Marclay&#8217;s 24 Hours of Film <em>clock <\/em>(2010) was an ambitious project that earned the artist and composer the prestigious Golden Lion at the 2011 Venice Biennale. Now, the work returns to New York for the first time since it was exhibited at MoMA more than a decade ago. The film is composed of thousands of clips from movies and TV shows, from images of clocks to characters stating the time, as if time itself is part of the narrative. Maclay and his assistants spent two years editing footage to create <em>clock<\/em>drawn from a wide range of sources including <em>noon<\/em> (1952), <em>godfather<\/em> (1972), and <em>national treasure<\/em> (2004), as well as TV series such as <em>sex and city<\/em> (1998-2004). To match the time of day the viewer is watching, time passes in a stunning, almost meditative montage.<\/p>\n<p><em>The Museum of Modern Art (MoMA) will be closed on Christmas Day. Enter <\/em>clock <em>Quantities are limited, first come first served, priority given to museum members. The museum is hosting a special 24-hour tour <\/em>clock<em> December 21-22.<\/em><\/p>\n<\/div>\n<div class=\"Box-sc-15se88d-0 ArticleHTML__Container-sc-2290ce22-0 hsljei cZGITp\">\n<h2>Egon Schiele &#8220;Vibrant Landscape&#8221;<\/h2>\n<h3>new gallery<\/h3>\n<h3>As of January 13, 2025<\/h3>\n<\/div>\n<div class=\"Box-sc-15se88d-0\">\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-sc-cw39ct-0 idkEHS\">\n<div width=\"100%\" overflow=\"hidden\" style=\"aspect-ratio:2000 \/ 1312;max-width:100%\" class=\"Box-sc-15se88d-0 jJVzlg\"><button width=\"100%\" height=\"100%\" cursor=\"pointer\" type=\"button\" class=\"Clickable-sc-10cr82y-0 ArticleZoomButton__Button-sc-66cb0dc2-1 hgRaTA jLxxJp\"><\/p>\n<div width=\"100%\" height=\"100%\" class=\"Box-sc-15se88d-0 Skeleton__SkeletonBox-sc-1vwqe5c-0 jUKPKP\"><span class=\"LazyImage__InnerLazyImage-sc-1fxlbs3-0 elpaBN\" style=\"opacity:0\"\/><img decoding=\"async\" src=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2FoosDXI3E9TCenQqerWDqXQ%252F2492_NG_Schiele_Landscape_088.jpg&amp;width=910\" srcset=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2FoosDXI3E9TCenQqerWDqXQ%252F2492_NG_Schiele_Landscape_088.jpg&amp;width=910 1x, https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2FoosDXI3E9TCenQqerWDqXQ%252F2492_NG_Schiele_Landscape_088.jpg&amp;width=1820 2x\" alt=\"\" class=\"Image__BaseImage-sc-sq2zgu-0 fHGHfv\"\/><\/div>\n<p><\/button><\/div>\n<\/div>\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-sc-cw39ct-0 kdTUFJ\">\n<div overflow=\"hidden\" class=\"Box-sc-15se88d-0 dyysfQ\">\n<div class=\"Box-sc-15se88d-0\">\n<div color=\"black60\" font-family=\"sans\" class=\"Box-sc-15se88d-0 Text-sc-18gcpao-0 HTML__Container-sc-1im40xc-0 irDwAE bbAxnM eaQyqh\">\n<p>Egon Schiele, installation view of \u201cLiving Landscapes\u201d at Neue Galerie, 2024. Photography: Annie B\u00f6ser. Courtesy of New Gallery. <\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"Box-sc-15se88d-0 ArticleHTML__Container-sc-2290ce22-0 hsljei cZGITp\">\n<p>Although best known for his raw, erotic portraits, Austrian Expressionist artist Egon Schiele was also a skilled landscape painter. Focusing on this group of works, &#8220;Living Landscapes&#8221; explores Schiele&#8217;s discovery of the beauty and symbolism of plants, which he approached in a similar manner to portraiture. In these paintings, the artist focuses on reminders of the cycle of life, from verdant trees marking the arrival of spring to withered flowers that no longer bloom. He also considered the relationship between man and nature, depicting towns with rows of houses, their rooftops visible from a bird&#8217;s-eye view sandwiched between dense tree canopies. <em>A small town among green trees (Old Town III)<\/em> (1917). Featuring nearly 60 works from Schiele&#8217;s celebrated career (interrupted by his death from influenza at just 28), this exhibition provides a rare opportunity to understand the artist&#8217;s practice beyond his famous portraits.<\/p>\n<p><em>Neue Galerie will be closed on Christmas Eve, Christmas Day, New Year&#8217;s Eve and New Year&#8217;s Day.<\/em><\/p>\n<\/div>\n<div class=\"Box-sc-15se88d-0 ArticleHTML__Container-sc-2290ce22-0 hsljei cZGITp\">\n<h2>Alvin Ailey, &#8220;Ailey&#8217;s Edge&#8221; <\/h2>\n<h3>Whitney Museum of American Art<\/h3>\n<h3>As of February 9, 2025<\/h3>\n<\/div>\n<div class=\"Box-sc-15se88d-0\">\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-sc-cw39ct-0 idkEHS\">\n<div width=\"100%\" overflow=\"hidden\" style=\"aspect-ratio:2000 \/ 1334;max-width:100%\" class=\"Box-sc-15se88d-0 jJVzlg\"><button width=\"100%\" height=\"100%\" cursor=\"pointer\" type=\"button\" class=\"Clickable-sc-10cr82y-0 ArticleZoomButton__Button-sc-66cb0dc2-1 hgRaTA jLxxJp\"><\/p>\n<div width=\"100%\" height=\"100%\" class=\"Box-sc-15se88d-0 Skeleton__SkeletonBox-sc-1vwqe5c-0 jUKPKP\"><span class=\"LazyImage__InnerLazyImage-sc-1fxlbs3-0 elpaBN\" style=\"opacity:0\"\/><img decoding=\"async\" src=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2F4od2NUgZn8XnHkqNHx3n4w%252FWMAA87180_BFA_46560_6601919_lpr.jpg&amp;width=910\" srcset=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2F4od2NUgZn8XnHkqNHx3n4w%252FWMAA87180_BFA_46560_6601919_lpr.jpg&amp;width=910 1x, https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2F4od2NUgZn8XnHkqNHx3n4w%252FWMAA87180_BFA_46560_6601919_lpr.jpg&amp;width=1820 2x\" alt=\"\" class=\"Image__BaseImage-sc-sq2zgu-0 fHGHfv\"\/><\/div>\n<p><\/button><\/div>\n<\/div>\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-sc-cw39ct-0 kdTUFJ\">\n<div overflow=\"hidden\" class=\"Box-sc-15se88d-0 dyysfQ\">\n<div class=\"Box-sc-15se88d-0\">\n<div color=\"black60\" font-family=\"sans\" class=\"Box-sc-15se88d-0 Text-sc-18gcpao-0 HTML__Container-sc-1im40xc-0 irDwAE bbAxnM eaQyqh\">\n<p>Installation view of Lynette Yiadom-Boakye, left to right, <i>fly trap<\/i>2024; and Purvis Young, <i>love to dance<\/i>1991, The Avery Edge , Whitney Museum of American Art, 2024. Photo: Jason Lowrie\/BFA.com. \u00a9 BFA 2024. Courtesy Whitney Museum of American Art.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"Box-sc-15se88d-0 ArticleHTML__Container-sc-2290ce22-0 hsljei cZGITp\">\n<p>&#8220;Ailey&#8217;s Edge&#8221; explores the breadth and lasting impact of Alvin Ailey&#8217;s career and is the first major museum exhibition dedicated to the leading choreographer and artist. The immersive presentation includes extensive live performances, as well as music, video and visual art, celebrating Ailey as an artist and founder of the Alvin Ailey American Dance Theatre. <\/p>\n<p>Particularly special is the rare archival material on display, which includes performance footage and a range of ephemeral objects such as posters and performance programs, as well as notebooks, poems and letters. The exhibition also features an 18-channel video installation featuring footage from Ellie\u2019s life and work, created by filmmakers Josh Begley and Kya Lou and curator Ai Co-written by Adrienne Edwards. Selected works by more than 80 artists, including Rashid Johnson and Mickalene Thomas, demonstrate how Ailey influenced future generations and provide context for the themes he explored, including The African Diaspora, Black Spirituality, and Black Liberation.<\/p>\n<p><em>The Whitney Museum will be closed on Christmas Eve and Christmas Day.<\/em><\/p>\n<\/div>\n<p><h2>&#8220;Aerial Ritual: Ralph Lemmon&#8221; <\/h2>\n<h3>Museum of Modern Art PS1<\/h3>\n<h3>As of March 24, 2025<\/h3>\n<\/p>\n<div class=\"Box-sc-15se88d-0\">\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-sc-cw39ct-0 idkEHS\">\n<div width=\"100%\" overflow=\"hidden\" style=\"aspect-ratio:2000 \/ 1334;max-width:100%\" class=\"Box-sc-15se88d-0 jJVzlg\"><button width=\"100%\" height=\"100%\" cursor=\"pointer\" type=\"button\" class=\"Clickable-sc-10cr82y-0 ArticleZoomButton__Button-sc-66cb0dc2-1 hgRaTA jLxxJp\"><\/p>\n<div width=\"100%\" height=\"100%\" class=\"Box-sc-15se88d-0 Skeleton__SkeletonBox-sc-1vwqe5c-0 jUKPKP\"><span class=\"LazyImage__InnerLazyImage-sc-1fxlbs3-0 elpaBN\" style=\"opacity:0\"\/><img decoding=\"async\" src=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2FEidz6zBX_IpDR5Du0CBxMw%252FPS1_11_13_24_04-2000x1334.jpg&amp;width=910\" srcset=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2FEidz6zBX_IpDR5Du0CBxMw%252FPS1_11_13_24_04-2000x1334.jpg&amp;width=910 1x, https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2FEidz6zBX_IpDR5Du0CBxMw%252FPS1_11_13_24_04-2000x1334.jpg&amp;width=1820 2x\" alt=\"\" class=\"Image__BaseImage-sc-sq2zgu-0 fHGHfv\"\/><\/div>\n<p><\/button><\/div>\n<\/div>\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-sc-cw39ct-0 kdTUFJ\">\n<div overflow=\"hidden\" class=\"Box-sc-15se88d-0 dyysfQ\">\n<div class=\"Box-sc-15se88d-0\">\n<div color=\"black60\" font-family=\"sans\" class=\"Box-sc-15se88d-0 Text-sc-18gcpao-0 HTML__Container-sc-1im40xc-0 irDwAE bbAxnM eaQyqh\">\n<p>Ralph Lemon, installation view at \u201cAerial Ritual: Ralph Lemon\u201d at MoMA PS1, 2024. Photography: Steven Paneccasio. Courtesy of MoMA PS1.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"Box-sc-15se88d-0 ArticleHTML__Container-sc-2290ce22-0 hsljei cZGITp\">\n<p>Over the past few decades, choreographer, author, and visual artist Ralph Lemon has built an extensive and acclaimed practice, including one that earned him a MacArthur \u201cgenius grant\u201d in 2020. This major institutional solo exhibition brings together a diverse body of work created over the past 10 years in the 1980s, showcasing his enduring exploration of choreography and his more recent shift toward abstraction in his artistic practice. Gesture, expressionist painting. The exhibition includes paintings, dance, sculpture, photographs and videos, as well as a rich program of live performances that demonstrate his ongoing interest in storytelling. Indeed, throughout Lemmon&#8217;s career, he explored the expressive potential of the body as an archive of human experience, from race and identity to spirituality and emotion, as well as the power of movement to express and challenge our understanding of the world around us. <\/p>\n<p><em>MoMA PS1 will be closed on Christmas Day and New Year\u2019s Day.<\/em><\/p>\n<\/div>\n<div class=\"Box-sc-15se88d-0 ArticleHTML__Container-sc-2290ce22-0 hsljei cZGITp\">\n<h2>\u201cStates of Flow, Los Angeles Triennial 2024\u201d<\/h2>\n<h3>neighborhood museum <\/h3>\n<h3>As of February 9, 2025<\/h3>\n<\/div>\n<div class=\"Box-sc-15se88d-0\">\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-sc-cw39ct-0 idkEHS\">\n<div width=\"100%\" overflow=\"hidden\" style=\"aspect-ratio:2000 \/ 1333;max-width:100%\" class=\"Box-sc-15se88d-0 jJVzlg\"><button width=\"100%\" height=\"100%\" cursor=\"pointer\" type=\"button\" class=\"Clickable-sc-10cr82y-0 ArticleZoomButton__Button-sc-66cb0dc2-1 hgRaTA jLxxJp\"><\/p>\n<div width=\"100%\" height=\"100%\" class=\"Box-sc-15se88d-0 Skeleton__SkeletonBox-sc-1vwqe5c-0 jUKPKP\"><span class=\"LazyImage__InnerLazyImage-sc-1fxlbs3-0 elpaBN\" style=\"opacity:0\"\/><img decoding=\"async\" src=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2Fp6StE30RS3CFu5TqfGKwBg%252F29_%2BInstallation%2BView_Flow%2BStates%2B_%2BMaria%2BA.%2BGuzman%2BCapro%25CC%2581n_Photograph%2Bby%2BMatthew%2BSherman%2BCourtesy%2Bof%2BEl%2BMuseo%2Bdel%2BBarrio%252C%2BNew%2BYork.jpg&amp;width=910\" srcset=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2Fp6StE30RS3CFu5TqfGKwBg%252F29_%2BInstallation%2BView_Flow%2BStates%2B_%2BMaria%2BA.%2BGuzman%2BCapro%25CC%2581n_Photograph%2Bby%2BMatthew%2BSherman%2BCourtesy%2Bof%2BEl%2BMuseo%2Bdel%2BBarrio%252C%2BNew%2BYork.jpg&amp;width=910 1x, https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2Fp6StE30RS3CFu5TqfGKwBg%252F29_%2BInstallation%2BView_Flow%2BStates%2B_%2BMaria%2BA.%2BGuzman%2BCapro%25CC%2581n_Photograph%2Bby%2BMatthew%2BSherman%2BCourtesy%2Bof%2BEl%2BMuseo%2Bdel%2BBarrio%252C%2BNew%2BYork.jpg&amp;width=1820 2x\" alt=\"\" class=\"Image__BaseImage-sc-sq2zgu-0 fHGHfv\"\/><\/div>\n<p><\/button><\/div>\n<\/div>\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-sc-cw39ct-0 kdTUFJ\">\n<div overflow=\"hidden\" class=\"Box-sc-15se88d-0 dyysfQ\">\n<div class=\"Box-sc-15se88d-0\">\n<div color=\"black60\" font-family=\"sans\" class=\"Box-sc-15se88d-0 Text-sc-18gcpao-0 HTML__Container-sc-1im40xc-0 irDwAE bbAxnM eaQyqh\">\n<p>Maria A. Guzman Capr\u00f3n, installation view <i>in your look [In Your Eyes]<\/i>, <i>curly man<\/i>and <i>at your service [Here for you]<\/i>throughout 2024, in \u201cFlow States, LA TRIENAL 2024\u201d at El Museo del Barrio, 2024. Photography: Matthew Sherman. Courtesy of the artist and El Museo del Barrio, New York.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"Box-sc-15se88d-0 ArticleHTML__Container-sc-2290ce22-0 hsljei cZGITp\">\n<p>The El Barrio Museum will host its second major triennial of Latin contemporary art, featuring 33 artists from the United States and Puerto Rico, as well as the American, Asian, Caribbean and European diaspora communities. The exhibition is organized by the museum\u2019s chief curator Rodrigo Moura, curator Susanna V. Temkin and guest curator Maria Elena Ortiz (Mar\u00eda Elena Ortiz) organization, presenting a broad idea of \u200b\u200bplace. <\/p>\n<p>Although coming from different backgrounds, the artists explore similar themes, including the complexity of identity and the fluidity of cultural exchange in a world defined by globalization, displacement and migration. Works on display span a range of disciplines, from mixed media paintings and sculptures to immersive presentations such as Widline Cadet\u2019s striking photographic portraits that consider the hybrid, fragmented nature of identity inherent in the diaspora. The materials in the exhibition are equally diverse. In particular, some artists have used unconventional ingredients, such as the air freshener Chaveli Sifre incorporated into neon lights <em>Permanently updated<\/em> (2024) \u2013 one of 10 works commissioned specifically for the Triennale. Air fresheners spread the scent of coconut and pineapple throughout the gallery space, which viewers can take home with them, creating an atmosphere reminiscent of a tropical island. <\/p>\n<p><em>El Museo del Barrio will be closed on Christmas Day and New Year&#8217;s Day.<\/em><\/p>\n<\/div>\n<div class=\"Box-sc-15se88d-0 ArticleHTML__Container-sc-2290ce22-0 hsljei cZGITp\">\n<h3>Metropolitan Museum of Art<\/h3>\n<h3>As of May 11, 2025<\/h3>\n<\/div>\n<div class=\"Box-sc-15se88d-0\">\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-sc-cw39ct-0 idkEHS\">\n<div width=\"100%\" overflow=\"hidden\" style=\"aspect-ratio:2000 \/ 1124;max-width:100%\" class=\"Box-sc-15se88d-0 jJVzlg\"><button width=\"100%\" height=\"100%\" cursor=\"pointer\" type=\"button\" class=\"Clickable-sc-10cr82y-0 ArticleZoomButton__Button-sc-66cb0dc2-1 hgRaTA jLxxJp\"><\/p>\n<div width=\"100%\" height=\"100%\" class=\"Box-sc-15se88d-0 Skeleton__SkeletonBox-sc-1vwqe5c-0 jUKPKP\"><span class=\"LazyImage__InnerLazyImage-sc-1fxlbs3-0 elpaBN\" style=\"opacity:0\"\/><img decoding=\"async\" src=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2Fw5TPCvT762kOboUrDfVPxg%252FDP-36958-001-JPG%2BOriginal%2B300dpi.jpg&amp;width=910\" srcset=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2Fw5TPCvT762kOboUrDfVPxg%252FDP-36958-001-JPG%2BOriginal%2B300dpi.jpg&amp;width=910 1x, https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2Fw5TPCvT762kOboUrDfVPxg%252FDP-36958-001-JPG%2BOriginal%2B300dpi.jpg&amp;width=1820 2x\" alt=\"\" class=\"Image__BaseImage-sc-sq2zgu-0 fHGHfv\"\/><\/div>\n<p><\/button><\/div>\n<\/div>\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-sc-cw39ct-0 kdTUFJ\">\n<div overflow=\"hidden\" class=\"Box-sc-15se88d-0 dyysfQ\">\n<div class=\"Box-sc-15se88d-0\">\n<div color=\"black60\" font-family=\"sans\" class=\"Box-sc-15se88d-0 Text-sc-18gcpao-0 HTML__Container-sc-1im40xc-0 irDwAE bbAxnM eaQyqh\">\n<p>Installation view of \u201cFlorida: Anastasia Samoilova and Walker Evans\u201d at the Metropolitan Museum of Art, 2024. Courtesy of the Metropolitan Museum of Art.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"Box-sc-15se88d-0 ArticleHTML__Container-sc-2290ce22-0 hsljei cZGITp\">\n<p>The two artists&#8217; exhibition &#8220;Florida&#8221; explores the Sunshine State&#8217;s many connotations, from a tourist paradise to a fragile landscape on the front lines of climate change. Photographs and mixed-media paintings by Miami-based contemporary artist Anastasia Samoylova are on display alongside historical documentary-style photographs and paintings by Walker Evans. <\/p>\n<p>A visitor to Florida for decades, Evans was a pioneer in documentary photography, photographing landscapes, architecture, and vernacular visual culture, such as beach signs that read &#8220;Boat Rental.&#8221; During his four-decade career, he captured everything from palm trees and the Everglades to Gilded Age mansions and trailer parks. Since 2016, Samoilova has taken a similarly broad approach to depicting Florida, highlighting vibrant seaside architecture, devastation from hurricanes and rising sea levels, and evidence of political extremism. There&#8217;s no doubt that &#8220;Florida&#8221; is a major career milestone for Samoilova, as it marks the first time in more than 30 years that a living woman has filmed a film, following Helen Levitt in 1992. Photographers hold large exhibitions in museums. <\/p>\n<p><em>The Metropolitan Museum of Art will be closed on Christmas Day and New Year&#8217;s Day.<\/em><\/p>\n<\/div>\n<p><h2>&#8220;Pets and the City&#8221;<\/h2>\n<h3>new york history <\/h3>\n<h3>As of April 20, 2025<\/h3>\n<\/p>\n<div class=\"Box-sc-15se88d-0\">\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-sc-cw39ct-0 idkEHS\">\n<div width=\"100%\" overflow=\"hidden\" style=\"aspect-ratio:2000 \/ 1258;max-width:100%\" class=\"Box-sc-15se88d-0 jJVzlg\"><button width=\"100%\" height=\"100%\" cursor=\"pointer\" type=\"button\" class=\"Clickable-sc-10cr82y-0 ArticleZoomButton__Button-sc-66cb0dc2-1 hgRaTA jLxxJp\"><\/p>\n<div width=\"100%\" height=\"100%\" class=\"Box-sc-15se88d-0 Skeleton__SkeletonBox-sc-1vwqe5c-0 jUKPKP\"><span class=\"LazyImage__InnerLazyImage-sc-1fxlbs3-0 elpaBN\" style=\"opacity:0\"\/><img decoding=\"async\" src=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2F_hoGcfyktvv47qxyoGrybQ%252F3%2BThe%2BPeale%2BFamily%2Bresize.jpeg&amp;width=910\" srcset=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2F_hoGcfyktvv47qxyoGrybQ%252F3%2BThe%2BPeale%2BFamily%2Bresize.jpeg&amp;width=910 1x, https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2F_hoGcfyktvv47qxyoGrybQ%252F3%2BThe%2BPeale%2BFamily%2Bresize.jpeg&amp;width=1820 2x\" alt=\"\" class=\"Image__BaseImage-sc-sq2zgu-0 fHGHfv\"\/><\/div>\n<p><\/button><\/div>\n<\/div>\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-sc-cw39ct-0 kdTUFJ\">\n<div overflow=\"hidden\" class=\"Box-sc-15se88d-0 dyysfQ\">\n<div class=\"Box-sc-15se88d-0\">\n<div color=\"black60\" font-family=\"sans\" class=\"Box-sc-15se88d-0 Text-sc-18gcpao-0 HTML__Container-sc-1im40xc-0 irDwAE bbAxnM eaQyqh\">\n<p>Charles Wilson Peale, <i>peel family<\/i>1773\u20131809. Courtesy of the New-York Historical Society.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"Box-sc-15se88d-0 ArticleHTML__Container-sc-2290ce22-0 hsljei cZGITp ArticleSectionText__ArticleHTMLLastChild-sc-e431047c-1 jMNGrm\">\n<p>During the holidays, the city&#8217;s oldest museum is hosting a fun exhibit celebrating the pets in New Yorkers&#8217; lives. Pets and the City traces animal companions in visual culture across centuries, showing how their domestication paralleled the development of New York itself. The exhibition illustrates the long history of how humans record their relationships with their pets through photographs, paintings, sculptures, and a collection of ephemera and archival materials. <\/p>\n<p>The presentation begins with colonial-era engravings and written documentation of working animals, such as the dogs that hunted with the native Lenape and Haudenosaunee peoples. As cities grew from Aboriginal lands to early settlements, the role of pets and their depiction in art also changed. While some animals may still assist in hunting, animals are also increasingly depicted waiting for scraps of food on the laps of their aristocratic owners, or hiding under tables in stately houses, as in the case of Charles Wilson Like the dogs in Peele&#8217;s paintings <em>peel family <\/em>(1773\u20131809). The show has survived decades of industrialization and globalization to become the pet it is today. Contemporary works depict exotic and service animals, as well as quirky domesticated images, such as William Wegman&#8217;s humanized dog portraits. <\/p>\n<p><em>The New York Museum of History will be closed on Christmas Eve, Christmas Day and New Year&#8217;s Day. <\/em><\/p>\n<\/div>\n<\/div>\n<p><a href=\"https:\/\/www.artsy.net\/article\/artsy-editorial-8-must-see-museum-new-york-holiday-season\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Art Annabel Keenan Mickalene Thomas, installation view Katherine Dunham: Revelation2024, \u201cThe Ailey Edge\u201d at the Whitney Museum of American Art, 2024. Photography: David Tufino. Courtesy Whitney Museum of American Art. The holidays are in full swing, and New York is filled with twinkling lights, pop-up shops, and special attractions, from the Christmas tree at Rockefeller<\/p>\n","protected":false},"author":1,"featured_media":14141,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[46],"tags":[],"class_list":{"0":"post-14140","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-artist"},"brizy_media":[],"_links":{"self":[{"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/posts\/14140","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/artoday.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=14140"}],"version-history":[{"count":1,"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/posts\/14140\/revisions"}],"predecessor-version":[{"id":14573,"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/posts\/14140\/revisions\/14573"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/media\/14141"}],"wp:attachment":[{"href":"https:\/\/artoday.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=14140"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artoday.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=14140"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artoday.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=14140"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}