{"id":14165,"date":"2024-12-26T17:02:35","date_gmt":"2024-12-26T17:02:35","guid":{"rendered":"https:\/\/artoday.net\/?p=14165"},"modified":"2024-12-26T17:02:35","modified_gmt":"2024-12-26T17:02:35","slug":"naomi-beckwith-serves-as-curator-of-documenta-16","status":"publish","type":"post","link":"https:\/\/artoday.net\/?p=14165","title":{"rendered":"Naomi Beckwith serves as curator of Documenta 16"},"content":{"rendered":"<p><\/p>\n<div>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\tNaomi Beckwith, deputy director and chief curator of the Guggenheim Museum, will curate Documenta 2027, a high-profile art exhibition that takes place every five years in Germany Hosted once in Kassel.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\tShe is the first black woman to curate the festival in its 69-year history and the first since Carolyn Christov-Bakargiev in 2012. Two American-born curators run the festival.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\tHer appointment comes shortly after the last election in 2022, following a lengthy selection process and facing turmoil in the years that followed. In the process, and against the backdrop of Israel&#8217;s war in Gaza, the entire selection committee resigned before the 2027 curators were confirmed, forcing Documenta to start over. A new selection committee was appointed earlier this year.<\/p>\n<section class=\"article-related-links \/\/ a-pull-3@tablet lrv-u-text-align-center@tablet u-width-250@tablet lrv-u-padding-lr-050 lrv-a-floated-left@tablet lrv-u-margin-r-1 lrv-u-margin-b-1\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-font-family-secondary lrv-u-font-weight-bold lrv-u-font-size-26@tablet a-pull-up-above-item\">\n<p>\t\tRelated articles<\/p>\n<\/h2>\n<div class=\"u-border-color-brand-primary u-border-a-10@tablet u-padding-lr-1@tablet u-padding-b-1@tablet\">\n<div class=\"c-lazy-image  a-pull-up-item a-hidden@mobile-max u-box-shadow-medium lrv-u-margin-b-050\">\n<div class=\"lrv-a-crop-2x3\" style=\"\">\n<p>\t\t\t\t\t\t<img decoding=\"async\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/07\/GettyImages-1243320422.jpg?w=150&amp;h=150&amp;crop=1\" alt=\"A procession of people entered the museum, banners hung around the pillars.\" srcset=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/07\/GettyImages-1243320422.jpg 1200w, https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/07\/GettyImages-1243320422.jpg?resize=400,267 400w\" data-lazy-sizes=\"(min-width: 87.5rem) 1000px, (min-width: 78.75rem) 681px, (min-width: 48rem) 450px, (max-width: 48rem) 250px\" height=\"\" width=\"\"\/><\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/section>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\tDocumenta is generally considered to be more academic than the Venice Biennale in Italy. But lately, the exhibition has become famous for something else: the ongoing controversy over how the organizers of Documenta 15 in 2022 have handled accusations of anti-Semitism. The fallout from the accusations remains, with German politicians closely watching funding for the next documenta, known as Documenta 16.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\tTypically, curators come to documenta with at least one major biennial under their belt. Beckwith is best known for organizing major exhibitions at U.S. institutions, although she served on the curatorial committee for one edition of SITElines Biennale at SITE Santa Fe and as a jury member of the 2015 Venice Biennale. Famous for hosting biennales. (Disclosure: Beckwith recently served on the jury for the inaugural ARTnews Awards.)<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\tBefore joining the Guggenheim in 2021, Beckwith served as curator at the Studio Museum in Harlem, the Institute of Contemporary Art in Philadelphia, and the Museum of Contemporary Art in Chicago. She currently lives in New York and is currently participating in a Rasheed Johnson retrospective opening at the Guggenheim Museum next year. Other notable exhibitions she organized include the Lynette Yiadom-Boakye Survey at the Studio Museum in 2011 and the Howardena Pindell Retrospective at the MCA Chicago in 2018.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\tIn 2021, she serves on the curatorial committee of the New Museum exhibition \u201cGrief and Grievance: Art and Mourning in America,\u201d curated by the late Okwui Enwezor (11th Kassel Organizers of Documenta), focusing on how black artists depict mourning and loss.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\t\u201cIt is the honor of a lifetime to be chosen as Artistic Director of Documenta 16,\u201d Beckwith said in a statement. \u201cDocumenta is an institution that belongs to the entire world as much as it belongs to Kassel, an institution that is in permanent dialogue with history and at the same time a barometer of art and culture of the present. I am humbled by the breadth of this responsibility, It is also a pleasure to share my research and ideas with this legendary and generous institution: one that provides space and time for artists, curators, and audiences to focus, delve, explore, experiment, and awaken.\u201d<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\tSven Scherer, chairman of Documenta&#8217;s supervisory board, called Beckwith&#8217;s appointment &#8220;the beginning of a new future for Documenta.&#8221; Her Documenta will open on June 12, 2027.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\tThe anti-Semitism controversy that has dogged Documenta in 2022 was largely absent from Beckwith\u2019s appointment announcement, although Hessian State Minister for Science and Research Timon Gremmels briefly mentioned it in a statement Got to this point. He said documenta ultimately &#8220;achieved a good balance between art and freedom of expression and the prevention of anti-Semitism and discrimination.&#8221;<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\tBeckwith\u2019s appointment marks the first time that Documenta and the Venice Biennale \u2013 two of the world\u2019s major biennale-style art exhibitions \u2013 have been curated by black women. Koyo Kouoh, born in Cameroon, is currently the director of the Museum of Contemporary African Art in Cape Town and was recently appointed curator of the 2026 Venice Biennale.<\/p>\n<\/p><\/div>\n<p><a href=\"https:\/\/www.artnews.com\/art-news\/news\/naomi-beckwith-documenta-16-curator-1234728071\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Naomi Beckwith, deputy director and chief curator of the Guggenheim Museum, will curate Documenta 2027, a high-profile art exhibition that takes place every five years in Germany Hosted once in Kassel. She is the first black woman to curate the festival in its 69-year history and the first since Carolyn Christov-Bakargiev in 2012. Two American-born<\/p>\n","protected":false},"author":1,"featured_media":14166,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[46],"tags":[],"class_list":{"0":"post-14165","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-artist"},"brizy_media":[],"_links":{"self":[{"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/posts\/14165","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/artoday.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=14165"}],"version-history":[{"count":1,"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/posts\/14165\/revisions"}],"predecessor-version":[{"id":14505,"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/posts\/14165\/revisions\/14505"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/media\/14166"}],"wp:attachment":[{"href":"https:\/\/artoday.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=14165"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artoday.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=14165"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artoday.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=14165"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}