{"id":14203,"date":"2024-12-28T15:34:31","date_gmt":"2024-12-28T15:34:31","guid":{"rendered":"https:\/\/artoday.net\/?p=14203"},"modified":"2024-12-28T15:34:31","modified_gmt":"2024-12-28T15:34:31","slug":"nicholas-galanin-receives-200000-don-tyson-award-from-crystal-bridges","status":"publish","type":"post","link":"https:\/\/artoday.net\/?p=14203","title":{"rendered":"Nicholas Galanin receives $200,000 Don Tyson Award from Crystal Bridges"},"content":{"rendered":"<p><\/p>\n<div>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\tThe Crystal Bridges Museum of American Art has named Nicholas Galanin (Tlingit-Unangax\u0302) as this year\u2019s recipient of the Don Tyson Award for outstanding achievement in American art.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\tA press release called Garanin a &#8220;well-known figure in the art world&#8221; for his multidisciplinary practice that blends traditional Tlingit art forms with modern techniques and themes. The Tyson family established the biennial $200,000 cash prize in 2016 in memory of the former chairman and CEO of Tyson Foods.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\t&#8220;Receiving the Don Tyson Award is a tremendous honor,&#8221; Galanin said in a press statement. &#8220;My work seeks to break down colonial frameworks while celebrating Aboriginal presence, knowledge and creativity. This recognition drives my ongoing efforts to create art, spark conversations, re-tell narratives and envision a world where culture, land and identity are protected and a future of celebration.\u201d<\/p>\n<section class=\"article-related-links \/\/ a-pull-3@tablet lrv-u-text-align-center@tablet u-width-250@tablet lrv-u-padding-lr-050 lrv-a-floated-left@tablet lrv-u-margin-r-1 lrv-u-margin-b-1\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-font-family-secondary lrv-u-font-weight-bold lrv-u-font-size-26@tablet a-pull-up-above-item\">\n<p>\t\tRelated articles<\/p>\n<\/h2>\n<div class=\"u-border-color-brand-primary u-border-a-10@tablet u-padding-lr-1@tablet u-padding-b-1@tablet\">\n<div class=\"c-lazy-image  a-pull-up-item a-hidden@mobile-max u-box-shadow-medium lrv-u-margin-b-050\">\n<div class=\"lrv-a-crop-2x3\" style=\"\">\n<p>\t\t\t\t\t\t<img decoding=\"async\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/12\/AN_VENICE_B-f.jpg?w=150&amp;h=150&amp;crop=1\" alt=\"Mural created by MAKHU on the facade of the central pavilion of the Venice Biennale. The MAKHU (Movimento dos Artistas Huni Kuin) or Huni Kuin artist movement depicts the story of the kapew\u00eb pukeni (Crocodile Bridge). The organization, founded in 2013 in the Kaxinaw\u00e1 (Huni Kuin) indigenous territory of Acre, Brazil, is one of many indigenous artists from multiple countries featured in this year's central exhibition at the Venice Biennale.\" srcset=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/12\/AN_VENICE_B-f.jpg 1152w, https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/12\/AN_VENICE_B-f.jpg?resize=400,300 400w\" data-lazy-sizes=\"(min-width: 87.5rem) 1000px, (min-width: 78.75rem) 681px, (min-width: 48rem) 450px, (max-width: 48rem) 250px\" height=\"\" width=\"\"\/><\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/section>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\tSpeaking at the Campo Air artist residency in Garz\u00f3n, Uruguay, Galanin told ARTnews he would likely use the money to upgrade his &#8220;cruel&#8221; flight back to Sitka, Alaska. He also said the funds would be used for research, materials and other living expenses such as college tuition for two of his six children.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\tIt\u2019s been a busy year for the multidisciplinary artist. his large-scale installations <em>Seletega (run to see if someone is coming) <\/em>It was recently exhibited near the Faena Hotel during Miami Art Week. Galanin also received a 2024 Guggenheim Fellowship and has had solo exhibitions at SITE Santa Fe, the Baltimore Museum of Art, and Peter Blum Gallery.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\tThis year, the Crystal Bridges Museum also acquired two works by Galanin and received the gift of another work.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\t\u201cThese artworks will feature prominently in our reinstallation and expansion, highlighting Nicholas\u2019s impact on contemporary art and important role in the ever-expanding story of American art,\u201d said Board Chair Olivia Walton. said in a statement. The 114,000-square-foot expansion is scheduled to open in 2026.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\t&#8220;Nicholas Galanin&#8217;s work is a celebration of the rich cultural heritage, spirituality and deep connection to Aboriginal lands,&#8221; Olivia Tyson said in a statement. &#8220;We are inspired by his talent and are delighted to award him the fifth Don Tyson Award. He is a bold artist who creates thought-provoking work. Nicholas has impacted the field through innovation, creative thinking and risk-taking \u201d<\/p>\n<\/p><\/div>\n<p><a href=\"https:\/\/www.artnews.com\/art-news\/news\/nicholas-galanin-2024-don-tyson-prize-advancement-american-art-crystal-bridges-1234728127\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Crystal Bridges Museum of American Art has named Nicholas Galanin (Tlingit-Unangax\u0302) as this year\u2019s recipient of the Don Tyson Award for outstanding achievement in American art. A press release called Garanin a &#8220;well-known figure in the art world&#8221; for his multidisciplinary practice that blends traditional Tlingit art forms with modern techniques and themes. The<\/p>\n","protected":false},"author":1,"featured_media":14204,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[46],"tags":[],"class_list":{"0":"post-14203","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-artist"},"brizy_media":[],"_links":{"self":[{"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/posts\/14203","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/artoday.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=14203"}],"version-history":[{"count":1,"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/posts\/14203\/revisions"}],"predecessor-version":[{"id":14591,"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/posts\/14203\/revisions\/14591"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/media\/14204"}],"wp:attachment":[{"href":"https:\/\/artoday.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=14203"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artoday.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=14203"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artoday.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=14203"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}