{"id":15130,"date":"2025-01-14T23:33:29","date_gmt":"2025-01-14T23:33:29","guid":{"rendered":"https:\/\/artoday.net\/?p=15130"},"modified":"2025-01-14T23:33:29","modified_gmt":"2025-01-14T23:33:29","slug":"what-is-brutalist-architecture-and-why-is-it-important","status":"publish","type":"post","link":"https:\/\/artoday.net\/?p=15130","title":{"rendered":"What is Brutalist architecture and why is it important?"},"content":{"rendered":"<p><\/p>\n<div>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\tFew people can agree on whether Brutalist architecture is good to look at, but it seems like everyone wants to have an opinion on the subject.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\tIn 2020, for example, U.S. President Donald Trump targeted Brutalist architecture in an executive order requiring all future federal buildings to adopt &#8220;classical architectural styles.&#8221; The order said Brutalist and deconstructive styles were &#8220;unsatisfactory&#8221; for this aesthetic. The following year, when Joe Biden became president, he rescinded the executive order, much to the relief of many architects.<\/p>\n<section class=\"article-related-links \/\/ a-pull-3@tablet lrv-u-text-align-center@tablet u-width-250@tablet lrv-u-padding-lr-050 lrv-a-floated-left@tablet lrv-u-margin-r-1 lrv-u-margin-b-1\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-font-family-secondary lrv-u-font-weight-bold lrv-u-font-size-26@tablet a-pull-up-above-item\">\n<p>\t\tRelated articles<\/p>\n<\/h2>\n<div class=\"u-border-color-brand-primary u-border-a-10@tablet u-padding-lr-1@tablet u-padding-b-1@tablet\">\n<div class=\"c-lazy-image  a-pull-up-item a-hidden@mobile-max u-box-shadow-medium lrv-u-margin-b-050\">\n<div class=\"lrv-a-crop-2x3\" style=\"\">\n<p>\t\t\t\t\t\t<img decoding=\"async\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2025\/01\/GettyImages-1479651818.jpg?w=150&amp;h=150&amp;crop=1\" alt=\"Photographer Oliviero Toscani holds a photography exhibition in 2023 in Monopoli, Italy.\" srcset=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2025\/01\/GettyImages-1479651818.jpg 1024w, https:\/\/www.artnews.com\/wp-content\/uploads\/2025\/01\/GettyImages-1479651818.jpg?resize=400,267 400w\" data-lazy-sizes=\"(min-width: 87.5rem) 1000px, (min-width: 78.75rem) 681px, (min-width: 48rem) 450px, (max-width: 48rem) 250px\" height=\"\" width=\"\"\/><\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/section>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\tEven before that, however, people couldn&#8217;t stop talking about barbarism. In 2016, an article was titled \u201cBrutalism is Back!\u201d <em>T: The New York Times Style Magazine<\/em>. The movement has been the subject of viral tweets, numerous online discussions and even a Reddit subreddit.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\tWith the release of Brutalism, brutalism became a mainstream topic again. <em>fauvism<\/em>A three-and-a-half-hour film that tells the story of L\u00e1szlo T\u00f3th, an exponent of this style. (Like Lydia Tarr, Thoth wasn&#8217;t real, despite the film&#8217;s efforts to make him a key figure in the postwar era.) The film has become a serious awards contender, having won a spot at the Academy Awards Won the highest award in the drama category. Earlier this month, the Golden Globes achieved an unlikely box office success.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\tBut what is brutalism and why does it matter? Below is a guide to the campaign.<\/p>\n<div class=\"post-content-image \/\/  \">\n<figure class=\"o-figure   size-large alignnone lrv-u-max-width-100p\" style=\"width:100%; max-width:1024px;\">\n<div class=\"c-lazy-image  \">\n<div class=\"lrv-a-crop-16x9\" style=\"padding-bottom:calc((683\/1024)*100%);\">\n<p>\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2023\/06\/GettyImages-1231759719.jpg?w=400\" alt=\"this \" frick=\"\" madison=\"\" housed=\"\" in=\"\" the=\"\" breuer=\"\" building=\"\" srcset=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2023\/06\/GettyImages-1231759719.jpg 1024w, https:\/\/www.artnews.com\/wp-content\/uploads\/2023\/06\/GettyImages-1231759719.jpg?resize=400,267 400w\" data-lazy-sizes=\"(min-width: 87.5rem) 1000px, (min-width: 78.75rem) 681px, (min-width: 48rem) 450px, (max-width: 48rem) 250px\" height=\"683\" width=\"1024\"\/><\/p><\/div>\n<\/p><\/div><figcaption class=\"c-figcaption  lrv-u-font-size-12 lrv-u-flex lrv-u-flex-direction-column lrv-u-padding-tb-025\">\n<p>\t\t\t\t\t<span class=\"lrv-u-font-size-14@desktop\">Marcel Breuer&#8217;s iconic Brutalist building on Madison Avenue in New York City. <\/span><\/p>\n<p>\t\t\t\t\t\t\t\t\t<cite class=\"lrv-u-text-transform-uppercase lrv-u-color-grey\">Photo Christina Horston\/Photo Alliance via Getty Images<\/cite><\/p>\n<\/figcaption><\/figure>\n<\/div>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\t<strong>What does Brutalist architecture look like?<\/strong><\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\tMany Brutalist buildings made heavy use of concrete, which was used in large, austere and spare structures. The Brower Building, the former site of the Whitney Museum on New York&#8217;s Upper East Side, is considered one of the movement&#8217;s landmark buildings. Completed in 1966, it was designed by Marcel Breuer, who conceived the building as an inverted ziggurats. The building represents Brutalist tendencies toward minimalism and thick, angular forms\u2014two things that proved divisive among critics and the public, who often found the aesthetic difficult to appreciate.<\/p>\n<div class=\"post-content-image \/\/  \">\n<figure class=\"o-figure   size-large alignnone lrv-u-max-width-100p\" style=\"width:100%; max-width:1200px;\">\n<div class=\"c-lazy-image  \">\n<div class=\"lrv-a-crop-16x9\" style=\"padding-bottom:calc((939\/1200)*100%);\">\n<p>\t\t\t\t\t\t<img decoding=\"async\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2025\/01\/GettyImages-1671985594.jpg?w=400\" alt=\"A blocky concrete building.\" srcset=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2025\/01\/GettyImages-1671985594.jpg 1200w, https:\/\/www.artnews.com\/wp-content\/uploads\/2025\/01\/GettyImages-1671985594.jpg?resize=400,313 400w\" data-lazy-sizes=\"(min-width: 87.5rem) 1000px, (min-width: 78.75rem) 681px, (min-width: 48rem) 450px, (max-width: 48rem) 250px\" height=\"939\" width=\"1200\"\/><\/p><\/div>\n<\/p><\/div><figcaption class=\"c-figcaption  lrv-u-font-size-12 lrv-u-flex lrv-u-flex-direction-column lrv-u-padding-tb-025\">\n<p>\t\t\t\t\t<span class=\"lrv-u-font-size-14@desktop\">Boston City Hall was designed in 1962 by Kallmann McKinnell &#038; Knowles and Campbell, Aldrich &#038; Nulty.<\/span><\/p>\n<p>\t\t\t\t\t\t\t\t\t<cite class=\"lrv-u-text-transform-uppercase lrv-u-color-grey\">PhotoStan Phaneuf\/FPG\/Archive Photos\/Getty Images<\/cite><\/p>\n<\/figcaption><\/figure>\n<\/div>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\t<strong>When did barbarism develop?<\/strong><\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\tThe answer to this question, like other questions about the history of brutalism, is tricky because not everyone associated with the movement is particularly fond of its name. Nonetheless, most scholars agree that this trend emerged shortly after the end of World War II. By then, architects associated with the Bauhaus school and related movements that emerged from it had begun to emphasize functionalism, placing practicality first.<\/p>\n<div class=\"post-content-image \/\/  \">\n<figure class=\"o-figure   size-large alignnone lrv-u-max-width-100p\" style=\"width:100%; max-width:1200px;\">\n<div class=\"c-lazy-image  \">\n<div class=\"lrv-a-crop-16x9\" style=\"padding-bottom:calc((800\/1200)*100%);\">\n<p>\t\t\t\t\t\t<img decoding=\"async\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2025\/01\/GettyImages-624508034.jpg?w=400\" alt=\"Behind the concrete barricade is a towering concrete building.\" srcset=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2025\/01\/GettyImages-624508034.jpg 1200w, https:\/\/www.artnews.com\/wp-content\/uploads\/2025\/01\/GettyImages-624508034.jpg?resize=400,267 400w\" data-lazy-sizes=\"(min-width: 87.5rem) 1000px, (min-width: 78.75rem) 681px, (min-width: 48rem) 450px, (max-width: 48rem) 250px\" height=\"800\" width=\"1200\"\/><\/p><\/div>\n<\/p><\/div><figcaption class=\"c-figcaption  lrv-u-font-size-12 lrv-u-flex lrv-u-flex-direction-column lrv-u-padding-tb-025\">\n<p>\t\t\t\t\t<span class=\"lrv-u-font-size-14@desktop\">Alison and Peter Smithson&#8217;s Robin Hood Gardens, built in 1972, is one of the most famous examples of Brutalist architecture.<\/span><\/p>\n<p>\t\t\t\t\t\t\t\t\t<cite class=\"lrv-u-text-transform-uppercase lrv-u-color-grey\">Photo Jack Taylor\/Getty Images<\/cite><\/p>\n<\/figcaption><\/figure>\n<\/div>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\t<strong>Where did the name Brutalism come from?<\/strong><\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\tLe Corbusier was an influential Swiss architect who ended up designing the United Nations Headquarters in New York and ultimately coined the term when he created Unit\u00e9 d&#8217;habitation, a housing development in Marseille, France. , this residential development was completed in 1952. He described the building as &#8220;b\u00e9ton brut&#8221; in French which translates to &#8220;raw concrete&#8221;. He was referring not only to the material but also to its aesthetic rawness. Once poured, the concrete is smooth, flat, and imperfections are essentially eliminated.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\tSwedish architect Hans Asplund is also generally considered to be the source of the Brutalist name. It is thought that he used the word <em>barbarism<\/em> Describes the Villa G\u00f6th building he built in 1949 for the CEO of a Swedish pharmaceutical company. The building differs from many of the buildings we now associate with Brutalism, relying less on concrete and less on brickwork. Still, it has a rough, imposing appearance and a similar feel.<\/p>\n<div class=\"post-content-image \/\/  \">\n<figure class=\"o-figure   size-large alignnone lrv-u-max-width-100p\" style=\"width:100%; max-width:1200px;\">\n<div class=\"c-lazy-image  \">\n<div class=\"lrv-a-crop-16x9\" style=\"padding-bottom:calc((800\/1200)*100%);\">\n<p>\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2025\/01\/GettyImages-2176736773.jpg?w=400\" alt=\"A concrete building towers over a tree-lined avenue.\" srcset=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2025\/01\/GettyImages-2176736773.jpg 1200w, https:\/\/www.artnews.com\/wp-content\/uploads\/2025\/01\/GettyImages-2176736773.jpg?resize=400,267 400w\" data-lazy-sizes=\"(min-width: 87.5rem) 1000px, (min-width: 78.75rem) 681px, (min-width: 48rem) 450px, (max-width: 48rem) 250px\" height=\"800\" width=\"1200\"\/><\/p><\/div>\n<\/p><\/div><figcaption class=\"c-figcaption  lrv-u-font-size-12 lrv-u-flex lrv-u-flex-direction-column lrv-u-padding-tb-025\">\n<p>\t\t\t\t\t<span class=\"lrv-u-font-size-14@desktop\">The FBI headquarters, officially known as the J. Edgar Hoover Building, was designed in 1962 by Charles F. Murphy and Associates.<\/span><\/p>\n<p>\t\t\t\t\t\t\t\t\t<cite class=\"lrv-u-text-transform-uppercase lrv-u-color-grey\">Photo Kent West Village\/Getty Images<\/cite><\/p>\n<\/figcaption><\/figure>\n<\/div>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\t<strong>Who came up with the theory of barbarism?<\/strong><\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\tBritish architecture critic Rainer Banham is often credited with formalizing the movement. In a 1955 article <em>architectural review<\/em>who praised the Brutalist style for hiding nothing from the audience. Banham writes: &#8220;Whatever one may think of the honest use of materials, most modern buildings appear to be made of stucco or patent glass, even if they are made of concrete or steel.&#8221; Brutalist Architecture See They look completely different, as they are obviously made of concrete, glass, etc. As an example, he cites a school designed by Alison and Peter Smithson in the English town of Hunthornton.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\t<strong>What is the significance of Brutalist architecture?<\/strong><\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\tFor many designers involved in the movement, Brutalist architecture was not meant to be provocative. On the contrary, the purpose of this style was to stay out of the way of the public and show the layman that modernist architecture was actually compatible with everyday life. In this way, Brutalism aspired to move the world toward utopian ideals, a trend that became particularly evident as the style moved beyond Western Europe.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\tIn the former Yugoslavia, for example, Brutalist architects built buildings such as residential complexes and hotels with an eye on bringing society on an equal footing. While many hotels across Europe were clearly demarcated, with the more luxurious hotels catering to elite vacations, Yugoslavia&#8217;s Brutalist hotels catered for almost everyone, regardless of race or class. The uniformity of appearance reflected the movement&#8217;s egalitarian aspirations.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\t<strong>Why so much concrete?<\/strong><\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\tOne of the reasons for the rise of Brutalist architecture was the relatively low cost of the materials used. When the devastation of World War II left budgets stretched and cities devastated, concrete was readily available\u2014it could be purchased in large quantities, and buildings that relied heavily on the material could be constructed quickly.<\/p>\n<div class=\"post-content-image \/\/  \">\n<figure class=\"o-figure   size-large alignnone lrv-u-max-width-100p\" style=\"width:100%; max-width:1200px;\">\n<div class=\"c-lazy-image  \">\n<div class=\"lrv-a-crop-16x9\" style=\"padding-bottom:calc((939\/1200)*100%);\">\n<p>\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2025\/01\/GettyImages-144848123.jpg?w=400\" alt=\"A concrete building with benches underneath.\" srcset=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2025\/01\/GettyImages-144848123.jpg 1200w, https:\/\/www.artnews.com\/wp-content\/uploads\/2025\/01\/GettyImages-144848123.jpg?resize=400,313 400w\" data-lazy-sizes=\"(min-width: 87.5rem) 1000px, (min-width: 78.75rem) 681px, (min-width: 48rem) 450px, (max-width: 48rem) 250px\" height=\"939\" width=\"1200\"\/><\/p><\/div>\n<\/p><\/div><figcaption class=\"c-figcaption  lrv-u-font-size-12 lrv-u-flex lrv-u-flex-direction-column lrv-u-padding-tb-025\">\n<p>\t\t\t\t\t<span class=\"lrv-u-font-size-14@desktop\">The Barbican Center in London was designed by Chamberlain, Powell and Bang. Construction started in 1971 and was completed in 1982.<\/span><\/p>\n<p>\t\t\t\t\t\t\t\t\t<cite class=\"lrv-u-text-transform-uppercase lrv-u-color-grey\">Photos View Images\/Universal Images via Getty Images<\/cite><\/p>\n<\/figcaption><\/figure>\n<\/div>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\t<strong>Why is brutalism so controversial?<\/strong><\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\tArguably, there is no architectural movement more polarizing than Brutalism, and Trump is not the only one to call derivatives of the Brutalist style \u201cugly.\u201d The reason for this often lies in its unflattering appearance: Brutalism is considered an eyesore, a relic of a different era, far removed from our own. 2024, <em>NPR<\/em> Residents of Washington, D.C., were interviewed to get their thoughts on the FBI&#8217;s brutalist headquarters. &#8220;I work across from it, so I have to look at it every day in the office, and it&#8217;s just so ugly,&#8221; said one. Another said the building looked like &#8220;a building with windows. A prison is just a slab of concrete stuck in the middle of the city.\u201d<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\tStill, the movement had followers who appreciated the honesty of Brutalist aesthetics. Journalist Alexander Nazaryan wrote in a 2024 article: &#8220;Oft-maligned Brutalism remains my ideal arrangement, not only for housing, but for life.&#8221; <em>new york times<\/em> prose. He says the Brutalist architecture he grew up in in Soviet Russia (then Leningrad) instilled in him a belief that this aesthetic could lead to &#8220;a society more hopeful and bolder than our own.&#8221; .<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\t<strong>Where can I find Brutalist architecture?<\/strong><\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\tBrutalism spread across the world, from Boston to Belgrade, and can now be found in both hemispheres of the world. From the Barbican Center in London to the Queensland Art Gallery in Brisbane, there are art centers built in Brutalist style, as well as housing projects, schools, government buildings and more.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<p>\n<iframe title=\"The Brutalist | Official Trailer HD | A24\" width=\"729\" height=\"410\" src=\"https:\/\/www.youtube.com\/embed\/6d7yU379Ur0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/p>\n<\/figure>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\t<strong>Are there any inspirations from the real Fauvism? <em>fauvism<\/em>?<\/strong><\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\tThe architect L\u00e1szlo T\u00f3th played in Adrien Brody&#8217;s 2024 Brady Corbet movie never existed, but some Similarities were noted between the character and Marcel Breuer. Like Blore, Todt was born in Hungary and eventually settled in the United States. (Blower left Germany during the rise of the Nazis in the 1930s and became a U.S. citizen in 1944; Toth immigrated to the United States sometime after World War II.) Like Blore, Toth was Jewish. Like Breuer, Toth specialized in hulking, blocky buildings made of concrete.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\tThe similarities between Todt and Breuer essentially ended there\u2014Blower never built a civic center and cathedral for a wealthy Pennsylvanian, as Todt eventually did. However, Breuer did build a Benedictine monastery in Minneapolis, and Corbett said one of the film&#8217;s inspirations was the anti-Semitism Breuer experienced. <\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\t<strong>Why brutalism and not another architectural movement <em>fauvism<\/em>?<\/strong><\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\tCorbett told <em>roger ebert website<\/em> Brutalism is relevant to him this week, as the style still &#8220;annoys people&#8221; today, citing Trump&#8217;s executive order. But Corbett also says another reason is the honesty of style. Just as Toth publicly revealed itself to the world, so too did Toth&#8217;s architecture. However, the world was not willing to accept these structures, nor Thoth himself.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\tIn the same interview, Corbett said Brutalism was &#8220;the perfect visual allegory for exploring postwar trauma as it relates to postwar architecture.&#8221; What exactly this allegory meant is a matter of debate. In the film&#8217;s controversial coda, when Israel commemorates Toth&#8217;s Brutalist architecture at the first Venice Architecture Biennale, the architect&#8217;s niece tells onlookers that his buildings would have been seen during concentration camp internment scene into a new audience. However, this interpretation is uncommon among historians of real-life Brutalist architecture, and in the film, it&#8217;s unclear whether Todt himself believed it to be true, as he sits there in silence.<\/p>\n<\/p><\/div>\n<p><a href=\"https:\/\/www.artnews.com\/art-news\/news\/what-is-brutalism-brutalist-architecture-art-1234730107\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Few people can agree on whether Brutalist architecture is good to look at, but it seems like everyone wants to have an opinion on the subject. In 2020, for example, U.S. President Donald Trump targeted Brutalist architecture in an executive order requiring all future federal buildings to adopt &#8220;classical architectural styles.&#8221; The order said Brutalist<\/p>\n","protected":false},"author":1,"featured_media":15131,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[46],"tags":[],"class_list":{"0":"post-15130","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-artist"},"brizy_media":[],"_links":{"self":[{"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/posts\/15130","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/artoday.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=15130"}],"version-history":[{"count":1,"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/posts\/15130\/revisions"}],"predecessor-version":[{"id":15136,"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/posts\/15130\/revisions\/15136"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/media\/15131"}],"wp:attachment":[{"href":"https:\/\/artoday.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=15130"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artoday.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=15130"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artoday.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=15130"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}