{"id":8865,"date":"2024-07-03T19:18:26","date_gmt":"2024-07-03T19:18:26","guid":{"rendered":"https:\/\/artoday.net\/?p=8865"},"modified":"2024-07-03T19:18:26","modified_gmt":"2024-07-03T19:18:26","slug":"titian-painting-sets-christies-auction-record-for-artist","status":"publish","type":"post","link":"https:\/\/artoday.net\/?p=8865","title":{"rendered":"Titian painting sets Christie&#8217;s auction record for artist"},"content":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/d7hftxdivxxvm.cloudfront.net\/?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2FMNWGIHKOwNflItYPBfRtKw%252FTitianMag.jpeg&amp;width=1100\" \/><\/p>\n<div>\n<p>Titian&#8217;s Early Masterpiece <em>Rest during the Flight to Egypt <\/em>(c. 1508) sold last night at Christie&#8217;s in London for \u00a317.56 million ($22.17 million). The sale set a new auction record for the Renaissance artist, surpassing the previous record of $16.9 million. <em>Sacred Conversation<\/em> (c. 1560) sold at Sotheby&#8217;s in 2011. <\/p>\n<p>The work sold below its pre-sale estimate of \u00a315 million to \u00a325 million ($18.75 million to $31.25 million), making it the top lot in Christie\u2019s \u201cOld Masters I\u201d sale, which totaled \u00a343.59 million ($55.1 million). Last night, Christie\u2019s also held an \u201cExtraordinary Sale\u201d as part of its Classics Week series, which totaled \u00a37.2 million ($9.1 million). All prices include fees. <\/p>\n<p>&#8220;The result is a tribute to the perfect provenance and quiet beauty of Titian&#8217;s sublime early masterpiece, one of the most poetic works of the artist&#8217;s youth,&#8221; said Orlando Rock, chairman of Christie&#8217;s UK, of the work. &#8220;The painting has captured the imagination of audiences for more than half a century and will no doubt continue to do so.&#8221;<\/p>\n<\/div>\n<div>\n<p><em>Resting on the way to Egypt, <\/em>The 18-by-25-inch panel painting depicts Mary cradling the infant Jesus as Joseph looks on. The painting has distinguished provenance, having been owned by dukes, archdukes and Holy Roman emperors. The painting was stolen by Napoleon in 1809 and again in 1995 from Longleat House in Wilshire. It was recovered in 2002 in a plastic bag in London without a frame. The Longleat Trustees and Lord Bath, who inherited Longleat from his father, are auctioning the painting as part of their long-term investment strategy, according to Christie&#8217;s. <\/p>\n<p>In addition to Titian\u2019s works, other notable exhibits that night included Quentin Messis\u2019 <em>Our Lady of Cherry<\/em>sold for \u00a310.66 million ($13.46 million), breaking the artist\u2019s previous auction record of $1.9 million. <em>Mary praying<\/em> (c. 1500) is on display at the Lempertz Museum in Cologne in 2020. Another important lot includes Frans Hals\u2019s P<em>Portrait of a Gentleman of the DeWolff Family, Possibly Jost DeWolff <\/em>(1582\/3\u20131666), with revenues of \u00a35.71 million ($7.21 million).<\/p>\n<\/div>\n<p><a href=\"https:\/\/www.artsy.net\/article\/artsy-editorial-titian-painting-breaks-artist-record-christies\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Titian&#8217;s Early Masterpiece Rest during the Flight to Egypt (c. 1508) sold last night at Christie&#8217;s in London for \u00a317.56 million ($22.17 million). The sale set a new auction record for the Renaissance artist, surpassing the previous record of $16.9 million. Sacred Conversation (c. 1560) sold at Sotheby&#8217;s in 2011. The work sold below its<\/p>\n","protected":false},"author":1,"featured_media":8866,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[44],"tags":[],"class_list":["post-8865","post","type-post","status-publish","format-standard","has-post-thumbnail","category-art-news"],"brizy_media":[],"_links":{"self":[{"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/posts\/8865","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/artoday.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8865"}],"version-history":[{"count":0,"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/posts\/8865\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/media\/8866"}],"wp:attachment":[{"href":"https:\/\/artoday.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8865"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artoday.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=8865"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artoday.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=8865"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}