{"id":8867,"date":"2024-07-03T20:03:25","date_gmt":"2024-07-03T20:03:25","guid":{"rendered":"https:\/\/artoday.net\/?p=8867"},"modified":"2024-07-03T20:03:25","modified_gmt":"2024-07-03T20:03:25","slug":"paul-allens-antique-computer-museum-closes-sends-collection-to-auction","status":"publish","type":"post","link":"https:\/\/artoday.net\/?p=8867","title":{"rendered":"Paul Allen&#8217;s antique computer museum closes, sends collection to auction"},"content":{"rendered":"<p><\/p>\n<div>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\tLiving Computers: Museum + Lab, the stewardship of the Paul G. Allen Collection of antique computers and internet technology in South Seattle, will officially not reopen after closing during the coronavirus lockdown in 2020. But many of its exhibits will live on, possibly at a show near you. <\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\tChristie\u2019s and the estate of Allen, who died in 2018, will offer the ancient technology in a three-part auction series, \u201cFirsts: Innovation from the Collection of Paul G. Allen.\u201d There will be two online auctions, \u201cFirsts: A History of Computing\u201d and \u201cBeyond the Horizon: Art of the Future,\u201d both with bidding deadlines on September 12, and a live auction on September 10, called \u201cPushing Boundaries: Ingenuity.\u201d <\/p>\n<section class=\"article-related-links \/\/ a-pull-3@tablet lrv-u-text-align-center@tablet u-width-250@tablet lrv-u-padding-lr-050 lrv-a-floated-left@tablet lrv-u-margin-r-1 lrv-u-margin-b-1\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-font-family-secondary lrv-u-font-weight-bold lrv-u-font-size-26@tablet a-pull-up-above-item\">\n<p>\t\trelated articles<\/p>\n<\/h2>\n<div class=\"u-border-color-brand-primary u-border-a-10@tablet u-padding-lr-1@tablet u-padding-b-1@tablet\">\n<div class=\"c-lazy-image  a-pull-up-item a-hidden@mobile-max u-box-shadow-medium lrv-u-margin-b-050\">\n<div class=\"lrv-a-crop-2x3\" style=\"\">\n<p>\t\t\t\t\t\t<img decoding=\"async\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/05\/Auction-Room-Image-May-2024-1.jpg?w=150&amp;h=150&amp;crop=1\" alt=\"A man behind the podium wrote &quot;Phillips&quot; Accept bids from viewers.\" srcset=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/05\/Auction-Room-Image-May-2024-1.jpg 1200w, https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/05\/Auction-Room-Image-May-2024-1.jpg?resize=400,216 400w\" data-lazy-sizes=\"(min-width: 87.5rem) 1000px, (min-width: 78.75rem) 681px, (min-width: 48rem) 450px, (max-width: 48rem) 250px\" height=\"\" width=\"\"\/><\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/section>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\tTechnology buffs with a love of history, take note: The top lot appearing in \u201cPushing Boundaries\u201d is a signed letter from Albert Einstein to President Franklin Delano Roosevelt in 1932. The letter has a high estimate of $6 million. <\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\tThe sale includes a notice about uranium&#8217;s potential as a &#8220;new and important&#8221; energy source and a warning that uranium could be used to create &#8220;extremely powerful bombs&#8221; &#8211; something the Manhattan Project had made a reality. Only two copies of this seminal letter exist, with the other currently in the Roosevelt Presidential Library.  <\/p>\n<div class=\"post-content-image \/\/  \">\n<figure class=\"o-figure   size-large alignnone lrv-u-max-width-100p\" style=\"width:100%; max-width:2000px;\">\n<div class=\"c-lazy-image  \">\n<div class=\"lrv-a-crop-16x9\" style=\"padding-bottom:calc((1253\/2000)*100%);\">\n<p>\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/07\/chrisites.jpeg?w=400\" alt=\"\" srcset=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/07\/chrisites.jpeg 2048w, https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/07\/chrisites.jpeg?resize=400,251 400w\" data-lazy-sizes=\"(min-width: 87.5rem) 1000px, (min-width: 78.75rem) 681px, (min-width: 48rem) 450px, (max-width: 48rem) 250px\" height=\"1253\" width=\"2000\"\/><\/p><\/div>\n<\/p><\/div><figcaption class=\"c-figcaption  lrv-u-font-size-12 lrv-u-flex lrv-u-flex-direction-column lrv-u-padding-tb-025\">\n<p>\t\t\t\t\t<span class=\"lrv-u-font-size-14@desktop\">A letter written by Albert Einstein to President Franklin Delano Roosevelt in 1932 is being auctioned at First Generation Auctions.<\/span><\/p>\n<\/figcaption><\/figure>\n<\/div>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\tAlso on display in \u201cPushing Boundaries\u201d is a space suit worn by astronaut Ed White, a member of the Gemini 4 and Apollo 1 crews who became the first American to walk in space on June 3, 1965. The high estimate for this piece is $120,000. Also on sale is a work of visual art: Paintings by Chesley Bonestell <em>Saturn as seen from Titan<\/em> (circa 1952) has a high estimate of $50,000. The same piece sold at Heritage Auctions in 2010 for $77,675.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\t\u201cNever before has the market seen such a diverse collection that so beautifully documents the history of human scientific and technological creativity, let alone one assembled by the father of the modern computer,\u201d Mark Porter, chairman of Christie\u2019s Americas, said in a statement. \u201cIt is a testament to the uniqueness and importance of these objects that one of the greatest innovators of our time collected them, preserved them, and in dozens of cases restored them, while drawing his own inspiration from them and sharing many of them publicly.\u201d<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\tLiving Computers: Museum + Lab, which opened in October 2012, is unique in that it encourages visitors to interact with artifacts from the early days of the internet, such as the 1971 DEC PDP-10:KI-10 computer on which Allen and Microsoft co-founder Bill Gates perfected their programming. The museum added a second floor in 2016, which features the latest technologies such as self-driving cars, virtual reality and artificial intelligence.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\tThe museum closed in 2020 due to the COVID-19 pandemic and planned to reopen later, but according to <em>The Seattle Times,<\/em> In June of the same year, the company began to lay off employees, which also meant the end.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\t\u201cLCM remains the only museum client I have worked with that not only allows but encourages visitors to use the collection, which really demonstrates trust in museum visitors, communicating that the collection is truly for them,\u201d Margaret Middleton, an exhibition designer who worked with the museum in 2017, told the newspaper. \u201cI\u2019m sad to see the museum close \u2014 it\u2019s a very inspiring model.\u201d<\/p>\n<\/p><\/div>\n<p><a href=\"https:\/\/www.artnews.com\/art-news\/news\/paul-allen-computer-museum-shutters-christies-sales-1234711408\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Living Computers: Museum + Lab, the stewardship of the Paul G. Allen Collection of antique computers and internet technology in South Seattle, will officially not reopen after closing during the coronavirus lockdown in 2020. But many of its exhibits will live on, possibly at a show near you. Christie\u2019s and the estate of Allen, who<\/p>\n","protected":false},"author":1,"featured_media":8868,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[43],"tags":[],"class_list":{"0":"post-8867","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-art-market-trends"},"brizy_media":[],"_links":{"self":[{"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/posts\/8867","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/artoday.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8867"}],"version-history":[{"count":0,"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/posts\/8867\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/media\/8868"}],"wp:attachment":[{"href":"https:\/\/artoday.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8867"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artoday.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=8867"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artoday.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=8867"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}