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As several galleries reported that day, the fair\u2019s reputation for showcasing emerging artists to watch is not just a curatorial quirk but a tried-and-true formula, especially when executed by taste-setting galleries. London and Addis Ababa gallery Addis Fine Art was one of the fair\u2019s second exhibitors, and the gallery\u2019s director of sales and business, Kate Kirby, said the gallery was returning after a \u201cfantastic\u201d debut. <\/p>\n
This year, the gallery will present a series of paintings and works on paper by Selome Muleta, which deftly examine the relationship between women and domestic space through blurred boundaries and vibrant colors. Immersive Experience XII<\/em>limbs and heads protruding from the bathtub, creating a vivid and mysterious scene. “I think there’s a real psychological complexity to her work as a whole,” Kirby explained. “We felt like this was a great opportunity for her to get this kind of exposure, and so far, [we] There have been great conversations.\u201d Works are priced from $4,000 to $32,000. <\/p>\n<\/div>\n\n
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Another returning artist, Zurich gallerist Philipp Zollinger, is bringing a solo show of new works by painter Emma McMillan. Six vaguely figurative paintings of enlarged insects border on abstraction. \u201cI usually bring the latest artists to the fair because it helps spread the word, gets as many people in front of it as possible, and puts the artist in the program,\u201d said the gallerist, noting that five works were put on hold within hours of the fair opening. <\/p>\n
While individual booths made up the majority of the fair, there were some standout group presentations, too. For example, Capsule, a gallery in Shanghai and Venice, whose founder Enrico Polato described the gallery\u2019s approach to presentation as \u201calmost like entering a time capsule, where you can see quite a few artists and artworks that have been developing their ideas.\u201d<\/p>\n<\/div>\n
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Installation view of Capsule\u2019s booth at Liste Art Fair in Basel 2024. Image courtesy of Capsule.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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The gallery\u2019s three artists explored themes of transcendence and death from an art historical perspective, from the surrealist paintings of Cai Zebin to the sculptures of Chen Lili, which combine materials such as metal lampshades, steel wheels and polystyrene foam in novel forms. The highlight of the booth was Chris O\u2019s series of agate slices and knobs painted with details of Renaissance scenes, faces and figures. The works are priced between \u20ac5,500 and \u20ac20,000 (approximately $5,360 to $21,450). <\/p>\n
The booth perhaps embodies the multifaceted nature of the fair, which not only encourages experimentation but also rewards it. At a time when the art market has been widely accused of taking a safety-first approach to exhibitions, Liste offers a bright picture for emerging galleries and the artistic talent they support. <\/p>\n<\/div>\n
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Arun Kakar<\/p>\n
Arun Kakar is Artsy’s Art Market Editor.<\/p>\n<\/div>\n<\/div>\n
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Correction: A previous version of this article incorrectly described the found objects Melissa Joseph used as frames. They were first aid kits, not lunch boxes.<\/p>\n<\/div>\n<\/div>\n
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