{"id":8885,"date":"2024-07-04T02:30:21","date_gmt":"2024-07-04T02:30:21","guid":{"rendered":"https:\/\/artoday.net\/?p=8885"},"modified":"2024-07-04T02:30:21","modified_gmt":"2024-07-04T02:30:21","slug":"banksy-responds-to-criticism-of-vile-glastonbury-festival-piece","status":"publish","type":"post","link":"https:\/\/artoday.net\/?p=8885","title":{"rendered":"Banksy responds to criticism of &#8216;vile&#8217; Glastonbury Festival piece"},"content":{"rendered":"<p><\/p>\n<div>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\tMysterious muralist Banksy on Wednesday took aim at British Home Secretary James Cleverley, who had previously criticised an inflatable raft artwork that appeared at the Glastonbury festival last week.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\tIn the recent <em>Sky News<\/em> The politician outwardly called Banksy&#8217;s work &#8220;vile and unacceptable&#8221;. Banksy hit back on Instagram today, saying the response seemed &#8220;a bit much&#8221;.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\t\u201cThe real ship I funded, the MV Louise Michel, rescued 17 unaccompanied children from the central Mediterranean on Monday evening,&#8221; Banks wrote. &#8220;Italian authorities are holding it as punishment \u2014 vile and unacceptable in my opinion.\u201d<\/p>\n<section class=\"article-related-links \/\/ a-pull-3@tablet lrv-u-text-align-center@tablet u-width-250@tablet lrv-u-padding-lr-050 lrv-a-floated-left@tablet lrv-u-margin-r-1 lrv-u-margin-b-1\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-font-family-secondary lrv-u-font-weight-bold lrv-u-font-size-26@tablet a-pull-up-above-item\">\n<p>\t\trelated articles<\/p>\n<\/h2>\n<div class=\"u-border-color-brand-primary u-border-a-10@tablet u-padding-lr-1@tablet u-padding-b-1@tablet\">\n<div class=\"c-lazy-image  a-pull-up-item a-hidden@mobile-max u-box-shadow-medium lrv-u-margin-b-050\">\n<div class=\"lrv-a-crop-2x3\" style=\"\">\n<p>\t\t\t\t\t\t<img decoding=\"async\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2023\/03\/GettyImages-1407097648.jpg?w=150&amp;h=150&amp;crop=1\" alt=\"PARIS, FRANCE - JULY 5: Panoramic view of the grand opening of the David Yurman Paris flagship store at the Louvre in Paris, France on July 5, 2022. (Photo: Kristy Sparow\/Getty Images for David Yurman)\" srcset=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2023\/03\/GettyImages-1407097648.jpg 1024w, https:\/\/www.artnews.com\/wp-content\/uploads\/2023\/03\/GettyImages-1407097648.jpg?resize=400,267 400w\" data-lazy-sizes=\"(min-width: 87.5rem) 1000px, (min-width: 78.75rem) 681px, (min-width: 48rem) 450px, (max-width: 48rem) 250px\" height=\"\" width=\"\"\/><\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/section>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\tCleverly claimed <em>Sky News<\/em> In the interview, Banksy&#8217;s work was a &#8220;celebration of the loss of life in the Channel&#8221;. When the Secretary of State was asked whether Banksy would criticise the Conservative Government&#8217;s inability to crack down on the migrant smuggling industry, he cleverly dodged the question.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\tInstead, Cleverley slammed the UK Labour Party for its &#8220;desire to control the border&#8221; and for hindering the Conservatives&#8217; efforts to control the influx of immigrants into the UK. <\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\tAccording to the Oxford University Migration Observatory, the number of migrants arriving in the UK by small boats across the English Channel has risen sharply since 2018, with 12,646 small boat arrivals recorded in the first half of 2024, an increase of 16% over the same period last year. <\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\tIn May, three men were arrested and charged with the deaths of five migrants, including a 7-year-old girl, who were crushed to death while trying to enter the UK illegally in a small boat. British Prime Minister Rishi Sunak told reporters<em> <\/em>That<em> <\/em>The cross-Channel voyages are &#8220;the result of criminal gangs taking advantage of vulnerable people; they are cramming more and more people onto these small, unseaworthy boats.&#8221;<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\tImmigration was a major theme at this year&#8217;s Glastonbury Festival, with a section of the festival called &#8220;Terminal 1&#8221; dedicated to the subject. <\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n<p>\tThe Louise Michel is a 98-foot former French navy ship funded by Banksy with funds from the sale of his works; it performs search and rescue missions off the coast of Europe. The ship was launched in August 2019 and rescued 350 people in its first week. Italian authorities seized the ship after it attempted to rescue 37 migrants from the central Mediterranean.<\/p>\n<\/p><\/div>\n<p><script async src=\"\/\/www.instagram.com\/embed.js\"><\/script><br \/>\n<br \/><a href=\"https:\/\/www.artnews.com\/art-news\/news\/banksy-responds-james-cleverly-glastonbury-immigration-artwork-1234711410\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mysterious muralist Banksy on Wednesday took aim at British Home Secretary James Cleverley, who had previously criticised an inflatable raft artwork that appeared at the Glastonbury festival last week. In the recent Sky News The politician outwardly called Banksy&#8217;s work &#8220;vile and unacceptable&#8221;. Banksy hit back on Instagram today, saying the response seemed &#8220;a bit<\/p>\n","protected":false},"author":1,"featured_media":8886,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[43],"tags":[],"class_list":{"0":"post-8885","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-art-market-trends"},"brizy_media":[],"_links":{"self":[{"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/posts\/8885","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/artoday.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8885"}],"version-history":[{"count":0,"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/posts\/8885\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/media\/8886"}],"wp:attachment":[{"href":"https:\/\/artoday.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8885"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artoday.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=8885"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artoday.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=8885"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}