{"id":8919,"date":"2024-07-04T15:05:18","date_gmt":"2024-07-04T15:05:18","guid":{"rendered":"https:\/\/artoday.net\/?p=8919"},"modified":"2024-07-04T15:05:18","modified_gmt":"2024-07-04T15:05:18","slug":"can-the-second-edition-of-tokyo-contemporary-continue-the-momentum-in-the-japanese-art-world","status":"publish","type":"post","link":"https:\/\/artoday.net\/?p=8919","title":{"rendered":"Can the second edition of Tokyo Contemporary continue the momentum in the Japanese art world?"},"content":{"rendered":"<p><\/p>\n<div>\n<p>Art Market<\/p>\n<p>Eric Augustine Pam<\/p>\n<div class=\"Box-sc-15se88d-0\">\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-cw39ct-0 cLbofV\">\n<div width=\"100%\" overflow=\"hidden\" style=\"aspect-ratio:1500 \/ 1000;max-width:100%\" class=\"Box-sc-15se88d-0 ifvuNv\"><button width=\"100%\" height=\"100%\" cursor=\"pointer\" type=\"button\" class=\"Clickable-sc-10cr82y-0 ArticleZoomButton__Button-z4og7f-1 fmimeD kGAsnc\"><\/p>\n<div width=\"100%\" height=\"100%\" class=\"Box-sc-15se88d-0 Skeleton__SkeletonBox-sc-1vwqe5c-0 kTXqHg\"><span class=\"LazyImage__InnerLazyImage-sc-1fxlbs3-0 bXymUy\" style=\"opacity:0\"\/><img decoding=\"async\" src=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2FA2sxgDZOYPibYc5VH10iyw%252FTokyo%2BGendai_16%2B%25282%2529.jpg&amp;width=910\" srcset=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2FA2sxgDZOYPibYc5VH10iyw%252FTokyo%2BGendai_16%2B%25282%2529.jpg&amp;width=910 1x, https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2FA2sxgDZOYPibYc5VH10iyw%252FTokyo%2BGendai_16%2B%25282%2529.jpg&amp;width=1820 2x\" alt=\"\" class=\"Image__BaseImage-sq2zgu-0 hNtpIp\"\/><\/div>\n<p><\/button><\/div>\n<\/div>\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-cw39ct-0 deSTdW\">\n<div overflow=\"hidden\" class=\"Box-sc-15se88d-0 nscQv\">\n<div class=\"Box-sc-15se88d-0\">\n<div color=\"black60\" font-family=\"sans\" class=\"Box-sc-15se88d-0 Text-sc-18gcpao-0 HTML__Container-sc-1im40xc-0 caIGcn kFGRHf fxdlkC\">\n<p>Interior view of Tokyo Hyundai, 2023. Courtesy of Tokyo Hyundai.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"Box-sc-15se88d-0 ArticleHTML__Container-vqmnzn-0 eUqDTh cpWqgk\">\n<p>With the VIP preview ending today, expectations are high for the second edition of Art Tokyo Contemporary, which runs until July 7 at Pacifico Yokohama, and aims to build on the momentum of last year&#8217;s inaugural edition, which took five years to get off the ground. This year&#8217;s fair will feature 70 galleries (up from 73 last year) from 20 countries, including the United States, South Korea, France, Germany, Spain and the United Kingdom, as well as Japan, and will also feature an expanded public program of lectures, satellite events and youth symposiums.<\/p>\n<p>Hailed as Japan\u2019s first truly international contemporary art fair, Art Tokyo was co-founded by Magnus Renfrew, the founding director of Art Basel Hong Kong and its predecessor, Art Hong Kong, and is part of the art organization The Art Assembly, which also organizes other fairs such as ART SG in Singapore and Taipei Dangdai in Taiwan. Art Tokyo not only showcases a comprehensive dialogue between Japan and the rest of Asia and beyond, but also aims to restore Tokyo\u2019s position as a leading global art center, while naturally reinvigorating and connecting Tokyo\u2019s local gallery scene.<\/p>\n<p>Both effects are evident in Pace Gallery\u2019s three-story, 5,500-square-foot Tokyo outpost, which opened in September. In a sense, the mega-gallery is soft-opening for the Tokyo Contemporary Art Fair. \u201cTokyo is obviously one of the cultural capitals of the world, and in the \u201980s and \u201990s it was the epicenter of art market activity,\u201d gallery president Samanthe Rubell tells Artsy. \u201cTokyo Contemporary Art Fair is emblematic of the resurgence of the contemporary art world in Japan. The fact that Tokyo is hosting an art fair on an international scale shows that now that Tokyo has established a vibrant art ecosystem, Tokyo is ready to once again become a major art destination for artists and collectors. You can feel the energy when you come here, and visitors from all over the world are once again vying for the best hotels and the best reservations, from Roppongi to the hillsides of Hokkaido.\u201d<\/p>\n<\/div>\n<div class=\"Box-sc-15se88d-0\">\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-cw39ct-0 cLbofV\">\n<div width=\"100%\" overflow=\"hidden\" style=\"aspect-ratio:3000 \/ 2001;max-width:100%\" class=\"Box-sc-15se88d-0 ifvuNv\"><button width=\"100%\" height=\"100%\" cursor=\"pointer\" type=\"button\" class=\"Clickable-sc-10cr82y-0 ArticleZoomButton__Button-z4og7f-1 fmimeD kGAsnc\"><\/p>\n<div width=\"100%\" height=\"100%\" class=\"Box-sc-15se88d-0 Skeleton__SkeletonBox-sc-1vwqe5c-0 kTXqHg\"><span class=\"LazyImage__InnerLazyImage-sc-1fxlbs3-0 bXymUy\" style=\"opacity:0\"\/><img decoding=\"async\" src=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2Fpl_ZmDwRXJ81g7JiLQeFGQ%252FPace%2BTokyo_Installation%2BView_N%2526P_2.jpg&amp;width=910\" srcset=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2Fpl_ZmDwRXJ81g7JiLQeFGQ%252FPace%2BTokyo_Installation%2BView_N%2526P_2.jpg&amp;width=910 1x, https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2Fpl_ZmDwRXJ81g7JiLQeFGQ%252FPace%2BTokyo_Installation%2BView_N%2526P_2.jpg&amp;width=1820 2x\" alt=\"\" class=\"Image__BaseImage-sq2zgu-0 hNtpIp\"\/><\/div>\n<p><\/button><\/div>\n<\/div>\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-cw39ct-0 deSTdW\">\n<div overflow=\"hidden\" class=\"Box-sc-15se88d-0 nscQv\">\n<div class=\"Box-sc-15se88d-0\">\n<div color=\"black60\" font-family=\"sans\" class=\"Box-sc-15se88d-0 Text-sc-18gcpao-0 HTML__Container-sc-1im40xc-0 caIGcn kFGRHf fxdlkC\">\n<p>Installation view, \u201cGroup Show\u201d, Pace Gallery Tokyo, 2024. Photo by Nacasa &#038; Partners. Courtesy of Pace Gallery.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"Box-sc-15se88d-0 ArticleHTML__Container-vqmnzn-0 eUqDTh cpWqgk\">\n<h2>This year&#8217;s Tokyo Contemporary Art Festival<\/h2>\n<p>This year&#8217;s Tokyo Contemporary Art Fair is divided into three themed sections. The Gallery Section presents a series of compelling exhibitions, with exhibitors ranging from top Japanese galleries such as Kaikai Kiki Gallery to international galleries such as Almine Rech. In addition, Pace Gallery presents the work of Robert Longo, an American artist, photographer and filmmaker known for his deep and textured charcoal drawings. This section aims to present a broad and dynamic perspective on contemporary art, with works on display that provoke thought, evoke emotion and capture attention.<\/p>\n<p>In the Flower Fair area, Tokyo Contemporary Art Fair focuses on 24 galleries that will host solo or two-person exhibitions by emerging and mid-career artists. Highlights include London gallery Alison Jacques&#8217;s exhibition of British artist Sophie Barber, whose work touches on symbols integral to Japanese culture. And at ANOMALY in Tokyo, works by Yusuke Asai and Keisuke Tanaka explore the complex relationship between life and nature.<\/p>\n<p>Elsewhere, Eda, which specializes in solo and group exhibitions by important artists from the Asian art world, featured nine galleries, most notably PYO Gallery from Seoul, which exhibited the famous drip paintings of the late artist Kim Tschang-Yeul, and VETA by Fer Franc\u00e9s from Madrid, which exhibited the work of Filipino artist Manuel Ocampo.<\/p>\n<\/div>\n<div class=\"Box-sc-15se88d-0\">\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-cw39ct-0 cLbofV\">\n<div width=\"100%\" overflow=\"hidden\" style=\"aspect-ratio:2067 \/ 2586;max-width:100%\" class=\"Box-sc-15se88d-0 ifvuNv\"><button width=\"100%\" height=\"100%\" cursor=\"pointer\" type=\"button\" class=\"Clickable-sc-10cr82y-0 ArticleZoomButton__Button-z4og7f-1 fmimeD kGAsnc\"><\/p>\n<div width=\"100%\" height=\"100%\" class=\"Box-sc-15se88d-0 Skeleton__SkeletonBox-sc-1vwqe5c-0 kTXqHg\"><span class=\"LazyImage__InnerLazyImage-sc-1fxlbs3-0 bXymUy\" style=\"opacity:0\"\/><img decoding=\"async\" src=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2F-3ugRhmvzY6CHpjjfsqf5Q%252F%2528Credit%2529%2BPhoto%2Bby%2BNorihiro%2BUeno.%2BCourtesy%2Bof%2BSCAI%2BTHE%2BBATHHOUSE.jpeg&amp;width=910\" srcset=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2F-3ugRhmvzY6CHpjjfsqf5Q%252F%2528Credit%2529%2BPhoto%2Bby%2BNorihiro%2BUeno.%2BCourtesy%2Bof%2BSCAI%2BTHE%2BBATHHOUSE.jpeg&amp;width=910 1x, https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2F-3ugRhmvzY6CHpjjfsqf5Q%252F%2528Credit%2529%2BPhoto%2Bby%2BNorihiro%2BUeno.%2BCourtesy%2Bof%2BSCAI%2BTHE%2BBATHHOUSE.jpeg&amp;width=1820 2x\" alt=\"\" class=\"Image__BaseImage-sq2zgu-0 hNtpIp\"\/><\/div>\n<p><\/button><\/div>\n<\/div>\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-cw39ct-0 deSTdW\">\n<div overflow=\"hidden\" class=\"Box-sc-15se88d-0 nscQv\">\n<div class=\"Box-sc-15se88d-0\">\n<div color=\"black60\" font-family=\"sans\" class=\"Box-sc-15se88d-0 Text-sc-18gcpao-0 HTML__Container-sc-1im40xc-0 caIGcn kFGRHf fxdlkC\">\n<p>Exterior view of SCAI the Bathouse in 2024. Photo by Norihiro Ueno. Courtesy of SCAI the Bathhouse. <\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"Box-sc-15se88d-0 ArticleHTML__Container-vqmnzn-0 eUqDTh cpWqgk\">\n<h2>Tokyo&#8217;s international art event<\/h2>\n<p>Tokyo Contemporary focuses on fostering a collaborative atmosphere and has made a significant contribution to uniting the Tokyo gallery community and strengthening pan-Asian connectivity. <\/p>\n<p>\u201cThe Art Assembly\u2019s art fairs, held in relatively geographically close cities in Asia, go beyond the framework of independent fairs and promote exchanges between collectors, curators, critics and galleries in these cities. Tokyo Gendai has become such a platform,\u201d said Fumiko Nagayoshi, director of Tokyo tastemaker SCAI The Bathhouse, which participated in this year\u2019s fair. <\/p>\n<p>Sueo Mizuma, executive director of Mizuma Art Gallery, a fellow Tokyo exhibitor, also highlighted the role the fair plays in expanding the reach of Japanese art among Asian collectors, who are not usually seen at Japanese art fairs. The fair, he said, \u201cattracts collectors from Indonesia and other Asian countries to come to Tokyo Contemporary Art Fair and buy works by Japanese artists.\u201d This has the potential to not only boost sales but also raise awareness for local artists and galleries.<\/p>\n<p>Tokyo Contemporary Art Fair also has the advantage of being located in a city with huge international appeal and a thriving art scene. \u201cThe fair is also a great opportunity for foreign gallerists and collectors to visit Japan and experience its historic architecture, unique cuisine and diverse cultural customs firsthand,\u201d said Masahiko Maki of MAKI Gallery. In fact, international tourists are currently flocking to Japan as the yen continues to depreciate. According to the Japan National Tourism Organization, visitor numbers grew 9.6% in May. <\/p>\n<\/div>\n<div class=\"Box-sc-15se88d-0\">\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-cw39ct-0 cLbofV\">\n<div width=\"100%\" overflow=\"hidden\" style=\"aspect-ratio:1500 \/ 1000;max-width:100%\" class=\"Box-sc-15se88d-0 ifvuNv\"><button width=\"100%\" height=\"100%\" cursor=\"pointer\" type=\"button\" class=\"Clickable-sc-10cr82y-0 ArticleZoomButton__Button-z4og7f-1 fmimeD kGAsnc\"><\/p>\n<div width=\"100%\" height=\"100%\" class=\"Box-sc-15se88d-0 Skeleton__SkeletonBox-sc-1vwqe5c-0 kTXqHg\"><span class=\"LazyImage__InnerLazyImage-sc-1fxlbs3-0 bXymUy\" style=\"opacity:0\"\/><img decoding=\"async\" src=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2Ffz5-l7ORcsjGvzxHW-gcWA%252FTokyo%2BGendai_11.jpg&amp;width=910\" srcset=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2Ffz5-l7ORcsjGvzxHW-gcWA%252FTokyo%2BGendai_11.jpg&amp;width=910 1x, https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2Ffz5-l7ORcsjGvzxHW-gcWA%252FTokyo%2BGendai_11.jpg&amp;width=1820 2x\" alt=\"\" class=\"Image__BaseImage-sq2zgu-0 hNtpIp\"\/><\/div>\n<p><\/button><\/div>\n<\/div>\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-cw39ct-0 deSTdW\">\n<div overflow=\"hidden\" class=\"Box-sc-15se88d-0 nscQv\">\n<div class=\"Box-sc-15se88d-0\">\n<div color=\"black60\" font-family=\"sans\" class=\"Box-sc-15se88d-0 Text-sc-18gcpao-0 HTML__Container-sc-1im40xc-0 caIGcn kFGRHf fxdlkC\">\n<p>Interior view of Tokyo Hyundai, 2023. Courtesy of Tokyo Hyundai.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"Box-sc-15se88d-0 ArticleHTML__Container-vqmnzn-0 eUqDTh cpWqgk ArticleSectionText__ArticleHTMLLastChild-sc-9ecauf-1 ccqNGR\">\n<h2>Positive outlook<\/h2>\n<p>This year, Tokyo Modern hopes to continue Renfrew\u2019s stated goal of creating a \u201cfair of global importance.\u201d Last year\u2019s fair was a promising first step. \u201cWe\u2019ve never seen such a large space in Japan for an art fair dedicated to contemporary art to see works,\u201d said Junko Shimada of Gallery Side 2 in Tokyo, who also attended the fair. \u201cFor local audiences, the interaction with international galleries is exciting. Tokyo Modern has put a lot of effort into inviting international collectors, curators, and galleries. It provides a forum in Tokyo that was not possible before.\u201d<\/p>\n<p>Shimada added that as the fair continues to grow, it is already playing an important role in shaping Tokyo&#8217;s status as a global art hub, describing the fair as &#8220;a local fair but open to global markets and audiences&#8221;. <\/p>\n<p>Tokyo Modern\u2019s impact extends beyond its immediate geographic scope, fostering deep, engaging conversations about the future of contemporary art in Japan. Mizuma notes that Tokyo Modern is unique compared to other Japanese art fairs: \u201cTokyo Modern has so many well-known European and American galleries\u2026 With so many Japanese galleries participating, it\u2019s the first truly international fair in Japan.\u201d<\/p>\n<p>Pace Gallery\u2019s Samanthe Rubell noted that the exhibition comes at a time when Japanese art is coming to the fore internationally. \u201cAs contemporary and modern Japanese art becomes increasingly visible on the international stage\u2014we look forward to our inaugural Jiro Takamatsu exhibition at the gallery in New York this fall\u2014our international artists are excited to exhibit here and connect with Japan\u2019s rich and thoughtful culture, collectors, and curators,\u201d she said. <\/p>\n<p>With a carefully curated selection of domestic and international galleries, a rich events and education program, and a strong commitment to fostering intercontinental relationships, Tokyo Contemporary Art Fair promises to become a major force in the global art world. As the fair unfolds, many will be watching to see if the enthusiasm is real. <\/p>\n<\/div>\n<\/div>\n<p><a href=\"https:\/\/www.artsy.net\/article\/artsy-editorial-tokyo-gendais-sophomore-edition-build-japans-art-momentum\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Art Market Eric Augustine Pam Interior view of Tokyo Hyundai, 2023. Courtesy of Tokyo Hyundai. With the VIP preview ending today, expectations are high for the second edition of Art Tokyo Contemporary, which runs until July 7 at Pacifico Yokohama, and aims to build on the momentum of last year&#8217;s inaugural edition, which took five<\/p>\n","protected":false},"author":1,"featured_media":8920,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[44],"tags":[],"class_list":{"0":"post-8919","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-art-news"},"brizy_media":[],"_links":{"self":[{"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/posts\/8919","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/artoday.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8919"}],"version-history":[{"count":0,"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/posts\/8919\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artoday.net\/index.php?rest_route=\/wp\/v2\/media\/8920"}],"wp:attachment":[{"href":"https:\/\/artoday.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8919"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artoday.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=8919"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artoday.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=8919"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}