Author: Iris

L. Scooter Morris doesn’t just make art you look at—she makes art you feel. A self-described sensory illusionist, Morris builds her work around the tension between what we experience in a moment and what lies beneath that moment. Her “Sculpted Paintings” don’t sit flat on the wall. They breathe. Built from mixed media and layers of texture, they pull light in and throw it back out, giving the viewer not only something to see but something to walk around and absorb. She’s not aiming for decoration. She’s aiming for connection. Morris uses her art to open space—for questions, for conversation,…

Natali Antonovich didn’t arrive at painting through noise or flash. Her work isn’t about spectacle—it’s about clarity. She’s spent years developing a visual language rooted in quiet self-awareness, shaped by a lifelong habit of paying attention. Early on, she noticed the details others missed. That attentiveness stayed with her, turning into a kind of compass as she moved through different creative disciplines—graphics, portraiture, batik, teaching. All of it fed her curiosity. But it was oil painting and watercolor that gave her the space she needed. The texture, the depth, the ability to work slowly and speak softly—these mediums let her…

Katerina Tsitsela’s work doesn’t try to explain the world—it explores how we feel our way through it. Based in Greece, she moves between painting and engraving, focused not on external likenesses, but internal states. “I explore human perception of landscapes,” she says, “as a way to express mental situations.” What emerges are not traditional views of nature or figures, but what she calls “internal landscapes”—emotional topographies where body, color, and memory intertwine. Her work is often read through a psychoanalytic lens, but the experience of it is far more direct: you feel it before you try to make sense of…

Helena Kotnik doesn’t just paint—she dissects, reframes, and rebuilds. With a Bachelor’s degree in Fine Arts from Barcelona University and the Akademie der bildende Künste in Vienna, along with a Master’s degree that sharpened her conceptual vision, Kotnik works at the crossroads of emotion, analysis, and visual clarity. Her paintings speak not only of technique but of psychological tension, cultural references, and an urgent curiosity about the world we live in. She uses color like a scalpel, not to embellish but to expose. Her work often draws from familiar imagery—historical paintings, societal norms, personal memories—but never settles into nostalgia. Instead,…

William Schaaf’s art is rooted in something deeper than aesthetics. At 80 years old, he isn’t just reflecting on a long career—he’s still working, still connected to the same energy that first drew him to the equine form over sixty years ago. For Schaaf, horses are more than a subject. They’re vessels for healing, myth, and personal truth. His paintings and sculptures are shaped by a reverence for the natural world and a spiritual link to Indigenous traditions—especially the Zuni and Navajo fetish and doll makers, whose influence has guided much of his work. Schaaf’s life in art has been…

Clint Anthony’s art begins where words leave off. Rooted in emotional honesty, his work uses color and texture as direct conduits to feeling—whether it’s joy, longing, or the deeper contradictions of being alive. Though he now lives in Australia, much of Clint’s creative DNA was formed during his two-decade stay in New York City. From 1996 to 2017, he immersed himself in the city’s vibrant cultural life, studying at The Lee Strasberg Theatre Institute and developing his visual language at The Art Studio NYC. He also played an active role in the art scene, curating shows at The Gershwin Hotel.…

Born in Montreal in 1964, Adamo Macri is a multimedia artist who doesn’t seem to worry about staying in one lane. He studied commercial art, graphic design, photography, art history, and fine arts at Dawson College. That mix of training comes through in his work—he moves between sculpture, photography, drawing, video, and painting without hesitation. Though he’s often described as a sculptor, it’s not the full picture. Macri builds his work around layered references, both historical and streetwise, mythological and modern. His pieces aren’t just visual—they’re linguistic and conceptual. You look at them, but you also have to think through…

Camille Ross was born in 1964 in San Francisco, California. Her childhood was split between radical Berkeley in the 1970s and the quiet rural stretches of Mississippi. That divide—between protest and tradition, urban and rural—never left her. Camille is biracial and part Cherokee, and this layered identity shows up in her work in subtle and not-so-subtle ways. She became a civil liberties activist and documentary photographer, but she doesn’t just document. She observes deeply. Her camera doesn’t simply record what’s there—it often reveals what’s hidden. Now known for work that highlights marginalized lives and human vulnerability, Camille’s practice has spanned…

The British Museum has the record for the most visited attractions in the UK in 2024 for the second consecutive year. According to statistics recently released by Alva, the London Museum had 6,479,952 visitors in 2024, an increase of 11% from the previous year. The Natural History Museum in South Kensington is the second-largest pandemic attraction for 6.3 million visitors, an increase of 11% from 2023. Tate Modern is the most visited 4.6 million visitors. The Southbank Center includes Hayward’s contemporary art gallery, with over 3.7 million visitors, an increase of 17% from 2023. Related Articles Alva’s announcement also noted…

Agatha Wright, known professionally as LADYFLUX, is a dynamic artist whose work challenges conventional norms and engages audiences in meaningful dialogue about the social issues of our time. In her latest collaboration with DC-based artist Paris Preston, “New Republic” merges live performance, digital installation, photography, and social practice to reflect on the consequences of unchecked power. Through her powerful art, Wright invites us to question societal structures, offering both dark humor and sobering reflections on the absurdities of truth distortion. Her creative process is driven by deep emotional responses to real-world injustices, and her work is a heartfelt invitation to…