In a fast-paced world that values speed and output, Ettore Albert advocates for beauty as an essential, transformative force—a core human experience with the power to inspire real change. His art is more than pleasing visuals; it’s a journey toward a vision where beauty is woven into life as a source of meaning, offering glimpses of a world centered on freedom and joy.
Albert’s philosophy echoes Dostoevsky’s belief that “beauty will save the world,” and this idea pulses throughout his work. By focusing on beauty’s impact over productivity, Albert challenges today’s values, prioritizing creativity as a path to genuine happiness and connection with the world.
Gravity
In Gravity (2022), Albert examines the interplay between form and abstraction. This 100 x 120 cm piece in oil and acrylic embodies a dialogue between structure and fluidity, blurring the distinction between clear shapes and the undefined. Influenced by avant-garde and post-impressionist styles, Gravity suggests ideas rather than merely presenting them, inviting viewers into a more emotional and symbolic journey.
Shapes and figures dissolve into geometric forms, creating an intentional vagueness that asks the viewer to interpret. The background’s clean lines and balanced colors provide a grounding for the piece’s floating figures, as though they’re suspended in a gravitational pull. Gravity draws the observer into a reflective state, encouraging them to engage with the unresolved emotions present in the work, revealing Albert’s ability to use beauty as a way to connect viewers with their inner experiences.
Mommy
In Mommy (2021), another oil and acrylic piece of the same dimensions, Albert brings abstract geometry into harmony with elements of portraiture. The background grid gives the composition a sense of order, holding each figure and object in balance. This structured space creates an integrated scene where every part feels essential to the whole.
The face of a woman appears to one side, partially shadowed, inviting an intriguing interaction between light and shadow. It’s as if the viewer is holding a flashlight, bringing her features into focus and adding an interactive element to the composition. The contrast between the rigid, geometric backdrop and the softer portrait creates a space where spontaneity and order meet, inviting viewers to find their own rhythm within the painting’s layered narrative.
Trinity
With Trinity (2022), Albert explores the merging of opposites in a world where traditional boundaries are increasingly blurred. This work navigates the fading lines between reality and imagination, good and bad, even beauty and its antithesis. Here, Albert combines realism and abstraction, constructing a scene that both unites and disrupts.
A realistic background anchors the scene, while two fictional characters in the foreground break its order, creating an immersive space where the worlds of reality and imagination clash and blend. In Trinity, Albert doesn’t follow conventional aesthetics, choosing instead a vision where creativity knows no limits. The characters convey the fluidity of ideas and hint at a world that embraces freedom over conformity. With this work, Albert invites viewers to journey beyond surface appearances, exploring a narrative shaped by individual expression and creative independence.
Albert’s works—Gravity, Mommy, and Trinity—reveal his perspective on art as a space for introspection and growth. By weaving together light, structure, and elements of both realism and abstraction, he creates spaces that encourage deep engagement. Driven by his belief in the transformative power of beauty, Albert’s art challenges perceptions, inviting observers to see beauty not as a mere form but as a force capable of reshaping the way we experience the world.
